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Review: Sarasota Orchestra closes season with chamber concert

Inspired by the Brentano Quartet’s performance of Haydn’s Op. 77 No. 2 quartet, the Entr’acte sounds like it has one foot planted in the 18th century and the other firmly in the 21st. Time and sound seem to refract through a kaleidoscope of colors, leaving the listener endlessly fascinated. The music is melancholy with intense fluctuations in dynamics like the liquidity of emotions. Pitch is relevant until it is not as the score takes a curve into another world with an extended technique ...
Ludvig Holberg Holley Hall Gayle Williams Caroline Shaw Entracte Jeffrey Kahane Rachel Halvorson

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