Page 23 - Rip Torn News Today

The Fisher Center at Bard will present a bold, gender-reframed, era-transcending vision of Molière’s 1665 tragicomedy Dom Juan, conceived and directed by Ashley Tata, with a new translation from NYU Professor of ​​French Literature  and theater scholar Sylvaine Guyot and Fisher Center Artistic Director Gideon Lester.

Vermont filmmaker Jay Craven again brought students and professionals to Nantucket to make a movie, this time about forgotten 18th-century history.

Heres whats on if youre planning to stay in over the bank holiday.

Vermont filmmaker Jay Craven again brought students and professionals to Nantucket to make a movie, this time about forgotten 18th-century history.

From Pursuit of Happyness to I Am Legend, check out our list of the best Will Smith Movies of all time.

In an entertainment industry that rewards big, showy performances, it’s nice to remember that actors like Mark Rylance still exist. The unassuming, soft-spoken performer is often most compelling when he weaponizes that apparent gentility, making it a tool his characters use to mask their motives and capabilities. And it’s that kind of subterfuge that debut director Graham Moore leverages to chilling effect in his claustrophobic Chicago thriller “The Outfit.” Here's film critic Clint...

What's the saying, Nothing can be said to be certain, except death and taxes? Thankfully, there's no shortage of cemeteries across the Hudson Valley.

In an entertainment industry that rewards big, showy performances, it’s nice to remember that actors like Mark Rylance still exist. The unassuming, soft-spoken performer is often most compelling when he weaponizes that apparent gentility, making it a tool his characters use to mask their motives and capabilities. And it’s that kind of subterfuge that debut director Graham Moore leverages to chilling effect in his claustrophobic Chicago thriller “The Outfit.” Here's film critic Clint...

In an entertainment industry that rewards big, showy performances, it’s nice to remember that actors like Mark Rylance still exist. The unassuming, soft-spoken performer is often most compelling when he weaponizes that apparent gentility, making it a tool his characters use to mask their motives and capabilities. And it’s that kind of subterfuge that debut director Graham Moore leverages to chilling effect in his claustrophobic Chicago thriller “The Outfit.” Here's film critic Clint...

What's the saying, Nothing can be said to be certain, except death and taxes? Thankfully, there's no shortage of cemeteries across the Hudson Valley.