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February 13, 2023
Corrin has signed onto the newest Nosferatu adaptation in an undisclosed role
February 10, 2023
With Knock at the Cabin out now, we're looking at the fandom around horror filmmaker M. Night Shyamalan and why his cultural resurgence shouldn't be considered a comeback.
February 2, 2023
With the Sundance Film Festival now wrapped up, offering our first glimpse at the 2023 cinematic offerings, eyes are now on Berlinale, which kicks off later this month. Looking at this month's theatrical releases, it's an eclectic mix of fest favorites (including the best film from last year's Cannes and a pair of highlights from
February 2, 2023
It’s that time of year again when the overly almighty Academy gives a golden man to golden people for their contributions to cinema. Or, more accurately, the time of year
February 1, 2023
It seems that M. Night Shyamalan has the end of days on his mind. A couple of years ago, he pondered the quandary of aging in “Old,” based on the graphic novel “Sandcastle,” by Pierre Oscar Levy and Frederik Peeters. In his latest film, he turns toward the apocalypse, or
January 30, 2023
The Golden Year Award to honor those people who created and worked on some of the best movies and TV shows and otherwise impacted the industry in a major way. You can vote once a day until polls close on April 13, so vote wisely, vote often, and well see you back here when the winner is announced on April 15.
January 28, 2023
Wallace & Gromit, Violent Night, and Confess, Fletch gets sequels, Ethan and Maya Hawke set to work together, amd Girls Trip 2 heads to Ghana.
January 19, 2023
'Elevated Horror' refers to horror films like 'Hereditary' and 'Nope' that use horror as an allegory for wider sociological critique, but is the term fair?
January 13, 2023
From "Nope" to "The Northman," "Barbarian" to "Glass Onion," here is a look at some of John Beifuss favorite movies of 2022.
January 13, 2023
Given that most years film critics would be thrilled to have a 10% return rate on the films they watch (as in, the percent of films that are truly extraordinary); alongside a counterpointing 10% that are truly execrable (that percentage can get a lot higher during the summer months), there still remain a great number of films that fall somewhere in between those poles.