Page 14 - Robert Ryman News Today

Dorothy Kosinski to conclude tenure as Vradenburg Director and CEO of The Phillips Collection Vradenburg Director and CEO Dorothy Kosinski. Photo: Daniel Schwartz. WASHINGTON, DC .- Dorothy Kosinski, Vradenburg Director and CEO of The Phillips Collection, announced today that she will conclude her tenure toward the end of 2022. Followed by a transition period, requested by the Board of Trustees, she will mark 15 years of distinguished leadership and be named Director Emerita. Dr. Kosinski said...

We examined the size of galleries' rosters, their combined square footage, and more to determine who emerged from the pandemic on top.

A group of 75 participants came together to celebrate 75 years of India’s independence. ‘Rangrez’, the artist group of Indian Social Club (ISC), went virtual due to the Corona pandemic as part of the celebrations.In 2019, Dr Satish Nambiar, Chairman, ISC and Suhail Khan, Joint General Secretary and Entertainment Secretary, ISC, requested art aficionado...

Sale Date:               Starting next week,  Sotheby’s will host “ Natively Digital” a weeklong online auction foregrounding 28 influential new media artists whose works surface the historical roots and future prospects of NFTs as a medium. Anchoring the sale is  Quantum, a generative digital animation backed by the  first non-fungible token ever minted. The work’s origin is the 2014 edition of  Rhizome’s “Seven on Seven” conference, where  Kevin McCoy and collabo...

David Zwirner Hires Susan Dunne, a Former Pace Dealer Who Resigned Amid Allegations That She Fostered a Toxic Work Environment In addition to hiring Dunne, the gallery has brought on board the estate of Robert Ryman, an artist Dunne worked with for years. Susan Dunne in Basel, Switzerland. (Photo by JOE SCHILDHORN/Patrick McMullan via Getty Images) In yet another recent example of a legacy artist switching from one major gallery to another, David Zwirner announced today that it has obtained exc...

This week, associate editor Zack Hatfield revisits “James Bishop: Remembering to See,” Carter Ratcliff’s 1988 feature on the unclassifiable painter, who died in February at age ninety-three. Art historian Molly Warnock reflects on Bishop’s legacy in the current issue. John Ashbery once described the art of James Bishop as “half architecture, half air.” In other words, a ruin. In his 1988 essay on the elusive painter, who was born in America but resided in France, the poet-critic Car...

Robert Barry , April 24th, 2021 09:21 Pace London surveys forty years of work by the American minimalist painter, Robert Mangold Installation view, Robert Mangold: A Survey 1981–2008, April 12 – May 22, 2021, Pace Gallery, London © ARS, NY, & DACS, London, 2021. Photo: Damian Griffiths. Courtesy Pace Gallery Robert Mangold and Sol LeWitt used to work at the Museum of Modern Art in New York. Not as curators or anything. They were security guards. If you went to see the Frank Lloyd Wright dr...

Dia 2.0: Facing the Future Jessica Morgan moves the art foundation beyond the sometimes swaggering heart of its Minimalist collection. Dan Flavin, “the diagonal of May 25, 1963 (to Constantin Brancusi),” a fluorescent light work at the newly renovated Dia Chelsea.Credit...Stephen Flavin/Artists Rights Society (ARS), New York; Elizabeth Felicella April 23, 2021, 5:00 a.m. ET In 1988, the Dia Art Foundation hosted one of the most momentous readings in postwar art history — the reclusive poe...

Pace Gallery expands presence in Seoul with larger, two-story gallery space opening in May Sam Gilliam, Spring Is, 2021 © Sam Gilliam / 2021 Artists Rights Society (ARS), New York. SEOUL .- Marc Glimcher, President and CEO of Pace Gallery, today announced the gallery’s plans to open an expanded gallery space in Seoul, South Korea, occupying two floors of Le Beige Building in the Hannam-dong neighborhood. The new gallery will open on May 27, 2021 with an exhibition of new work by Sam Gilliam, ...

Cézanne Reconsidered Fig. 1. Nature morte de pêches et poires (Still life with Peaches and Pears) by Paul Cezanne (1839–1906), c. 1885–1887. Oil on canvas, 14 ⅝ by 17 ¾ inches. Private collection; photograph courtesy of Bridgeman Images and the Museum of Fine Arts, Boston. “Others abide our question,” Matthew Arnold said of Shakespeare, “thou art free!” 1 Arnold meant that the Bard, in his sublime universality, soared above those petty reckonings that critics apply to all oth...