Page 9 - Robert Ryman News Today

I just wanna get radical! —Matt Archbold, professional surfer, 1987I want my future work to operate in the interchange between Robert Smithson’s unfinished project and Michael Jackson’s face. —Ashley Bickerton, 1988IN FRANCE THEY CALL them enfants terribles. In Italy you might hear duri. Here in America, we call them bad boys. We find them in our movies, we find them in our literature. Rock music, since its inspired invention back in the ’50s, has perhaps been the most comfortable home...

This week: Paris+ gets in the game, Gilbert and George get anti-woke, a trustee gets auction-y, and much more.

There's a lot to see at the new event. Here are seven picks not to miss, from a dystopian dog video to early works by Robert Ryman.

If the fair's first edition here does well, it's a sign that Paris is back. If not, tant pis. So far ultrawealthy buyers are flocking to the event.

The arrival of Paris+ as a major international competitor on the art fair circuit pointed to a revival of French capital's art market status.

The renowned Colombian artist Olga de Amaral opened her first solo show in London for almost a decade, following her inaugural exhibitions with a hre

The announcements of new artist-dealer relationships are coming at an increasingly fast clip. Here's what's driving the musical chairs.

Highlights include “Capturing Louis Sullivan: What Richard Nickel Saw” at the Driehaus Museum and “Citing Black Geographies” at Gray Chicago.

Reflections on South African master painter, Louis Maqhubela.

The renowned Colombian artist Olga de Amaral opens her first solo show in London for almost a decade, following her inaugural exhibitions with Lisson Gallery