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The 50 Best Movies of 2021

From medieval reimaginings to black-and-white drama to Broadway revivals, here are Paste's picks for the best movies of 2021:

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Netflix is SLAMMED for casting Carey Mulligan, 35, as a 56-year-old in The Dig

'Wasn't there an actor of the correct age?' Netflix is slammed for casting Carey Mulligan, 35, as a 56-year-old in The Dig – as fans claim ‘women over 40 are invisible’ to movie makers The Dig is based on John Preston's 2007 novel about the unearthing of the Anglo-Saxon ship burial at Sutton Hoo in 1939 Screen star Carey, 35, plays 56-year-old landowner Edith Pretty - a role originally intended for Nicole Kidman, 53 - in the movie  Viewers took to Twitter to question the network's decision, with one claiming: 'women over 40 are still invisible in the culture'  Director Simon Stone has previously defended the thespian's portrayal of Edith, who passed away aged 59 after suffering a stroke in 1942

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The Dig is a film to treasure | Apollo Magazine

Try finding a gentler escape from winter in a pandemic than spending 112 minutes in Suffolk’s waterways and sun-yellowed grasslands, the setting of The Dig, a tale of buried treasure, romance and heroism. Directed by Simon Stone and based on a novel by John Preston, the film dramatises the true discovery in 1939 by Basil Brown and Edith Pretty of the richest medieval grave to be found in Europe to date. History tells us that Mrs Pretty, an amateur archaeologist, owned a tract of land in Sutton Hoo beside the River Deben. Intrigued by a grassy archipelago of mounds on the land, she employed the services of local excavator Basil Brown to see what, if anything, they might yield. When Brown discovered the vast imprint of an early medieval ship in the soil of the largest, the significance of the excavation became clear. Archaeologists were sent by the British Museum and, together with Brown, unearthed a breath-taking array of treasures, including a golden belt buckle, golden shoulder clasps inlaid with garnet cloisonné, remnants of a helmet decorated with dagger-toothed dragons and a silver bowl all the way from Byzantium. The ship was datable to the early seventh century and full of clues as to the culture and sophistication of its makers. This was surely the grave of a warrior king (the now-disputed ‘Anglo-Saxon’ is used throughout the film), belonging to one of the Germanic tribes to have come to Britain in the ‘Dark Ages’, a term that was coming to seem less and less appropriate. But no body was found. It is believed that the acidic Suffolk soil consumed the remains long ago. Now the artefacts are displayed in Room 41 of the British Museum, along with contemporary photographs and excerpts from Basil Brown’s meticulous archaeological notes.

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'The Dig' on Netlfix: The Big Changes Made to the True Story of Sutton Hoo

'The Dig' on Netlfix: The Big Changes Made to the True Story of Sutton Hoo On 2/1/21 at 7:41 AM EST The Dig is the latest movie released by Netflix, which is a dramatic retelling of the Sutton Hoo archeological discovery of the late 1930s, which saw amateur archeologist Basil Brown (Ralph Fiennes) discover an ancient burial mound full of amazing Anglo-Saxon artifacts. Real archaeology (as opposed to the whip-cracking, globe-trotting type dreamed up by the Indiana Jones movies) is a slow and laborious process, and as such seems an unlikely topic for a starry movie. However, Netflix has decided that it is a story worth telling—though they have made some typically Hollywood changes to the film to amp up some of the details.

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'The Dig' review: Fiennes and Mulligan in Netflix romance

Sometimes you just don’t want a movie to end. The characters are so vivid and multidimensional, the milieu so inviting, the circumstances so compelling, you don’t want to let go. “The Dig,” starring Carey Mulligan and Ralph Fiennes, is such a movie. Suffolk, England, with the nation on the verge of war with Germany in 1939, may not sound comforting, but you would be surprised. Despite the prosaic title taken from the source novel by John Preston (based on the true story of the discovery of the Sutton Hoo treasure), “The Dig” is a tale bathed in warm nostalgia and a romanticism steeped in British stoicism, one that allows room for not only the melancholy of classic melodrama, but also sharp wit and a genuine sense of wonder.

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The Dig true story | Netflix movie about Sutton Hoo excavation

The Dig true story | Netflix movie about Sutton Hoo excavation
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Movie reviews: 'The Little Things' is a dark mystery that keeps the viewer guessing

THE LITTLE THINGS: 3 STARS "The Little Things," a Los Angeles-set crime drama now available in select theatres and on PVOD, features a trio of Oscar winners in a dark story that shows the soft underbelly of the glamour capitol. Set in 1990, pre-DNA testing, this is a story of old-fashioned police work. Wits, stakeouts, payphones, and bleary eyes are their tools; obsession and black coffee fuel them. Oscar winner number one Denzel Washington is Joe Deacon, a deputy sheriff in small town California, whose job as a big city detective is long in the rearview mirror. When he joins strait-laced LAPD detective Sgt. Jim Baxter (Oscar winner number two, Rami Malek) on the hunt for a serial murderer, they focus on Albert Sparma (Oscar winner number three, Jared Leto) an off-kilter character they suspect is the killer. Turns out, their case reverberates with echoes from Deacon’s troubled past.

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Review: Netflix's The Dig excavates unexpected, worthy drama thanks to Carey Mulligan and Ralph Fiennes

Review: Netflix's The Dig excavates unexpected, worthy drama thanks to Carey Mulligan and Ralph Fiennes
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The Dig Review | Movie

If you’ve ever pined for ‘Time Team: The Movie’, The Dig is for you. Adapted from John Preston’s novel, Simon Stone’s film details one of Britain’s most notorious archaeological digs, the discovery in 1938 of an Anglo-Saxon ship in the burial mounds at the delightfully named Sutton Hoo estate in Suffolk. As anyone who’s followed Tony Robinson presiding over a three-day exploration of a Roman villa in the rain might guess, The Dig has to work hard to conjure up genuine dramas out of the minutiae of archaeology (this is no search for the Ark Of The Covenant), never really raising the pulse rate, but it gets by on strong performances, some gorgeous filmmaking and the always winning idea of good people coming together to do good things.

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