Page 45 - Rt Critic News Today

Climate Futurism brings together the work of artists Erica Deeman, Denice Frohman, and Olalekan Jeyifous. Curated by marine biologist and climate luminary Dr. Ayana Elizabeth Johnson, the exhibition showcases newly commissioned works by all three artists as part of the Threshold Fellowship from Headlands Center for the Arts.

The Brooklyn Rail is a journal committed to providing an independent forum for visual arts, culture, and politics throughout New York City and beyond.

The Brooklyn Rail is a journal committed to providing an independent forum for visual arts, culture, and politics throughout New York City and beyond.

One positive outcome from the distraction of art fairs has been that more artists and their dealers are working together to make gallery solo exhibitions that juxtapose new work with early work. When done with sensitivity and a good eye, these presentations often become far greater than the sum of their parts, an achievement rarely achieved in stalls that bring to mind a county fair. And when an exhibition provides the bonus of rebuilding a historical connection to its actual location, as does t...

Inside the Yellow Cocoon Shell offers mesmerizing images and relies on quiet symbolism to communicate the fluid boundary of realism and surrealism.

Curated by art historian Midori Yoshimoto and Japan Society’s Tiffany Lambert and Ayaka Iida, the exhibition surveys the transnational Fluxus network (1962–78) through the lenses of geography and gender, focusing on four members—Shiomi, Kubota, Yoko Ono, and Takako Saito—whose prolific output of performances, scores, and “anti-art” objects is enriched when considered in conjunction with their experiences as Japanese women in New York in the 1960s.

Joel Meyerowitz never stops. With shows this fall in Berlin, London, Paris and, locally, in Montclair, New Jersey, Meyerowitz also presents photographs from his archive daily through an online platform, Fellowship. His energy is inspiring. His excitement for the medium, contagious.

She died instantaneously. While trying on clothes, a bullet pierced her chest. Her mother was with her in the dressing room at a Burlington Coat Factory in North Los Angeles. The bullet was a 5.56mm, shot from an M16.

A single line drawn across a plane may be the most forthright representation of time, presenting it as a continuous and irreversible sequence of events. But the perception of time is often different in actual experience. For artist Richard McDonough, it is evidenced in layers and the patient building up of surfaces.

These parables about monsters, ghosts, and demons are joined by real-world details, both historical and contemporary. This collection goes to some lengths to add historical and cultural context to these tales from Edo-era Japan.