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On Clipper Street in San Francisco, 1982. Courtesy of Robert Glück.
Robert Glück’s best-known work, Margery Kempe (1994), is an entirely original novel that juxtaposes apparently autobiographical episodes from the life of “Bob,” a man who has an all-consuming p.
Here, Diarmuid Hester talks about his new book Nothing Ever Just Disappears – a chronicle of how the homes of prominent queer 20th-century creatives shaped their work and personhood