Other top story, World Championin giants just landed at sfo. Sky 7 is live over the airport here, im trying to take a look at who is first out of the plane. Its tough. There are shaddiy figures there. Gmen still celebrating after sweeping tigers last night. We have Live Team Coverage of the giants. Carolyn tileler isive at the ballpark. Lets begin with heather live at sfo. Yeah. The team and families and staff making their way off charter united 747 charter that landed just about 10 minutes ago. Theyre being greeted by airport employees, the only people will be allowed up this close to the aircraft. And it is a little bit tough to identify players. Oh, getting off we think we see the panda, big home run hitter, important pointer and madison balmgartner coming off now. Theyve got about seven buses here waiting to rans f transport everybody back to the ballpark. The plane taxied in, they were given that water salute. Can you see the people getting off the plane now . Yes. We just had a s
A little more than halfway into Jonathan Lethem’s
The Arrest comes a chapter titled “Postapocalyptic and Dystopian Stories”, in which the screenwriter protagonist and his movie-producer friend debate the appeal of such tales while name-checking a panoply of authors and titles – Vonnegut, King, Atwood, Walter Tevis, Philip K. Dick, George R. Stewart, Walter M. Miller, Emily St. John Mandel, Russell Hoban, and especially Cormac McCarthy. McCarthy’s
The Road “bugs the fuck out of me,” complains the producer, calling it “postapocalyptic comfort food” and arguing that, far from offering real cautionary tales, most of these writers “can’t help it, they like it there. They