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why have you chosen that? once again, took a massive chance with me. believed i could sing and dance and act in the same film. erm, gave me satine, who ijust became and loved, and people still think i am. she laughs and, erm... ..gave me that, and i watch that film, and i'm like, "i can't believe i made that. i'm so happy that exists. ..gave me that, and i watch that film, and i'm like, "i can't believe i made that. i'm so happy that exists. "i'm so happy i got to be satine and i got to do it with ewan." and i have such magical memories of it and i find
ErmLucille-ball-filmChanceFilmActPeopleWho-ijustDanceMe-satineMemoriesSatineEwan
fora laugh, and how wonderful that is — releasing into physical comedy that way. it's so fun. but with a character like satine, you're creating... you're creating a character from scratch with virginia woolf. you're interpreting a historical character. with lucille ball, it has to be more of an impersonation, i guess. no. you have to study her. no, no. i mean, study her, but aaron sorkin was adamant it wasn't to be an impersonation. he was like, "i don't want an impersonation." in recent years, you've become a producer as well. you brought us big little lies and the undoing and nine perfect strangers. do you have any ambitions to direct as well? no. they laugh not at all? no. i love being an actor. as i said, i don't have the... i don't have the control. i don't want to make the big decisions.
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the film magical and he's... baz is magical. you played satine, the consumptive courtesan, opposite ewan mcgregor as the struggling writer. was it the first time you'd sung professionally? i'd sung at drama school, when i would go to the little weekend drama schools. i was never that good. i always had friends who could belt it out, and i was never a belter. but baz, when i went and auditioned for him, he had me audition with the song, erm... # nobody does it better... that song, which is not in the movie. erm, and i remembersort of acting singing it. and baz on set as a director, what did you take away from him? well, he's an actor. he started as an actor, so he can act it. erm, so you're getting that support, where he understands the actual process. he understands how to get you there. and he's very, erm... he's, you know...
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and my absolute, like... ..i cannot believe what she... what she did, and how she could get a laugh, and she would do anything fora laugh, and how wonderful that is — releasing into physical comedy that way. it's so fun. but with a character like satine, you're creating... you're creating a character from scratch with virginia woolf. you're interpreting a historical character. with lucille ball, it has to be more of an impersonation, i guess. no. you have to study her. no, no. i mean, study her, but aaron sorkin was adamant it wasn't to be an impersonation. he was like, "i don't want an impersonation." in recent years, you've become a producer as well. you brought us big little lies and the undoing and nine perfect strangers. do you have any ambitions to direct as well? no. they laugh not at all? no. i love being an actor. as i said, i don't have the...
WayAnythingLaughComedyForaCharacterImpersonationScratchLucille-ballSatineVirginia-woolfEverything-wasn-t
one of the greatest monologues, you know, about choice, and it is "my choice". i still know those words and deeply believe in them, may i add. it is my choice as a human being. your next choice, a big turning point in your career, and you've already mentioned it, is baz luhrmann�*s musical moulin rouge. why have you chosen that? once again, took a massive chance with me. believed i could sing and dance and act in the same film. erm, gave me satine, who ijust became and loved, and people still think i am. she laughs and, erm... ..gave me that, and i watch that film, and i'm like, "i can't believe i made that. i'm so happy that exists. i'm so happy i got to be satine and i got to do it with ewan."
ChoiceHuman-beingMy-choiceMonologuesWordsOneItChanceCareerBaz-luhrmannMoulin-rougeTurning-point
and i have such magical memories of it and i find the film magical and he's... baz is magical. you played satine, the consumptive courtesan, opposite ewan mcgregor as the struggling writer. was it the first time you'd sung professionally? i'd sung at drama school, when i would go to the little weekend drama schools. i was never that good. i always had friends who could belt it out, and i was never a belter. but baz, when i went and auditioned for him, he had me audition with the song, erm... # nobody does it better... # that song, which is not in the movie. erm, and i remembersort of acting singing it. and baz on set as a director, what did you take away from him? well, he's an actor. he started as an actor, so he can act it. erm, so you're getting that support, where he understands the actual process. he understands how to get you there. and he's very, erm... he's, you know...
Called-walkaboutMemoriesBaz-luhrmannTimeSatineWriterSung-at-drama-schoolConsumptive-courtesanEwan-mcgregorErmGoodSong