Bryan Barcena on Anthony Lepore
EVER SINCE CLAUDE MONET recorded gray smokestacks on the riverbanks at Argenteuil, France, industrial modernity has stood at the heart of artistic production. Think Diego Rivera’s “Detroit Industry Murals,” 1932–33, Charles Sheeler’s crisscrossing conveyor belts, or Bernd and Hilla Becher’s taxonomic grids. Yet few if any of these artists can claim to have experienced these spaces as has Anthony Lepore, whose modest studio—a roughly five-hundred-square-foot open-top box—is positi...
Source: artforum.com