Come on come on, come on, what are you staring for . Come on robinson apparently tired, punched with a fairly well and rocked jake lamotta right to his heels. Come on, ray. A director and actor find a story at the right time and the right place. And out comes this amazing combination of cinematic virility and absolute fear. Its like watching an animal. I think raging bull is a great title and the film fulfills the promise. The reality of the boxing and the great slow motion, all the Black And White gore. The violence of the flashbulbs going off. When he designed the movie, marty purposefully, he didnt put a clutch on the film. Theres no clutch. Hey, ray, never went down, man. You never got me down, ray. Raging bull is a boxing movie for people who dont like boxing because its really not about that. Its about this man, jake lamotta, who was based on a real person, whos really at war with himself. Come on. Harder. Harder. I didnt really understand boxing, but the character was interestin
could go back and have the senior year that i didn t have and write about what it is to be a high school student. i learned so much. the pop culture establishment, they don t know what s happening with kids right now. stacy, what are you waiting for? you re 15 years old. i did it when i was 13. it s no huge thing. it s just sex. these kids are having a super short adolescence. they re having sex years before you know they re having sex, and they re all working. it s fast food. it s fast adolescence. it s all disposable. and what are we doing to a generation that has to be adult at a younger and younger age. there are so many incredible people in the movie. a lot of careers get launched. judge reinhold to phoebe cates and jennifer jason leigh. who ordered the double cheese and sausage? right here, dude. in a cast full of soon-to-be stars, he gives the performance that everyone walks out of the
well, this piece is called lick my love pump . the idea was we were gonna do a mock documentary. we were gonna make a satire of a rock and roll band on tour. we basically had the tour outlined, but essentially, it was a very, you know, thin thumbnail sketch of what was gonna happen. the whole movie is improvised. do the dead bird. changes. get the dwarf cannolis, the little ones. okay. all right. i did the bird. come on, don t talk back, huh? mime is money. let s go. come on. move it. you had these brilliant performances by all of them, and then rob put it all together and made it sync. people didn t know what we were doing. they thought it was a real documentary, and when we first previewed it, people saw it and they said, why would you make a movie about a band that nobody ever heard of, and one that s so bad? working on a sex farm employing through your bean field let s say you look at a prospective movie and it s a square. rob reiner has a way of turning
so he has a hit man kill her. martin landau realized it, like, i had woman killed and i thought i was gonna go to hell and nothing happened. whereas woody is constantly getting, you know, shit on by life, and he s just doing the right thing. you look very deep in thought. i was plotting the perfect murder. his writing is very wrong for strong for that reason. it always feels like he was thinking about some philosophical truths about human nature and says, oh, i want to write a movie about that. and i m talking about reality. i mean, if you want a happy ending, you should go see a hollywood movie. you realize, of course, that we could never be friends. why not? what i m saying is and this not a come-on in any way, shape or form is that men and women can t be friends because the sex part always gets in the way. nora ephron wrote when harry
was humor to it, there was a liveliness to it, there was a nastiness to it. tom hulce is so fantastic in that film. do you have it? not too fast. do you have it? one thing the 80s does for us is it gives us some really remarkable filmmakers. you see talent is there immediately. these directors are going to go on and have long careers. in some cases, they re making small movies, but they get their start in the 80s. why don t you let me tape you? doing what? talking. about what? about sex. your sexual history, sexual preferences. steven soderbergh s sex, lies, and videotape is the coming-out party for one of the most prodigiously talented filmmakers ever. why are you doing this to yourself? you gonna answer me? no, please, don t do that. why not? no, really, don t, don t. why not? i just want to ask you a few questions. like, why do you tape women talking about sex, huh? that was a great example of