of myself. i lost an incredible amount of weight in a very, very short time and it affected my health in a damaging way. i could not even think about whether anything was funny. i had never seen an asian- american family on a sitcom, so in a lot of ways we learned lessons of how to tell a story about people who are traditionally underrepresented. i am proud that program. it gave an amazing push to a generation experiencing this great success now. if you try to suspend my son because of this we will sue everyone in this school. it is the american way, right? you know about that. in da.
its not unusual to be loved by anyone beretta smith shomade: and so when fox comes around and says, how can we gain audience? oh, black people. so they initiate a series of shows that target an audience that had not been targeted. malcolm venable: martin lawrence is this increasingly mega popular comedian on the scene. martin lawrence: i know big bird been out of business but what the fuck is up? jacqueline coley: if you want to just compare martin and the fresh prince, martin in no way ran away from its blackness. he hosted a black radio show. martin: what up? jacqueling coley: .he had gina, his live in girlfriend. tawny newsome: it was the blending of sketch with traditional narrative sitcom. cedric: martin lawrence played, many, many characters on that show. martin: jerome in the house! cedric: from jerome to roscoe. gina: what do you want? roscoe: i want you to get a smaller head but i ain t got no control over that.
people forget that carlton was one of the first black nerds on screen, showing that there are other ways to be black. it s not unusual to be loved by anyone! so when fox comes on and says how can we gain an audience, well, black people. they initiate a series of shows that target an audience that had not been targeted. martin lawrence is this increasingly mega popular comedian on the screen. if you want to compare martin at the fresh prince, martin in no way ran away from blackness. he hosted a black radio show. he had gina, his live-in girlfriend. it was the blending of sketch with traditional narrative sitcom. he has played many, many characters on that show.
to manage his cousin to rap stardom. earn: i just don t scare people like you man. niggas know i drink juice and shit. alfred: fuck that! earn: dammmn! man: i can write you a cheque. alfred: nigga, do i look like a bank? i don t take fucking cheques! troy patterson: the question is, is atlanta a great sitcom. cop 1: willie! you coming out? cop 2: wait! troy patterson: or has it so pushed the boundaries of what a sitcom can be that we need to coin a new genre term altogether to describe it? [soul music] isabella gomez: i think everything changes when you give a voice to a community that hasn t had one. lorraine ali: ramy could not have happened, before streaming. we had two decades, people being terrified of muslims. all of a sudden, there s a sitcom and people are laughing. ramy: i don t have to find a muslim girl. i ve actually been seeing this girl chloe for a little bit,
if you don t get back to work! the american sitcom had had a disruption in the early 1970s with on the family and mary tyler moore. we go to can t we just get along? it was a dream! two kids in the get adopted by a rich white man. the white savior narrative in different strokes is the basis of the whole series. it was about love and understanding and respect for each other s cultures. of course gary coleman is this cherub little black child who is making us laugh. arnold, to collect unemployment you have to stop