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Acclaimed film maker edgar wright on the festival carpet for the first time with his dark valentine to soho in the 1960s. ive never had a film in the london film festival and i think ive been coming here since 1994. when this opportunity came up, it was like, well this is perfect. i said i think we should go to russia. and documentaries including one looking at the women who protested at greenham common against the proliferation of nuclear weapons. one of the big red carpet attractions at the lo...

Of the time, they are big and emotional, like, heart—rending ballads — they always seem like they are stained with tears. there is something sort of melancholic and about them and bittersweet, which i always pick up on, and that is why i wanted to feature so many of them. last night in soho is providing audiences with an unsettling trip back to the 1960s, suggesting the feelgood decade was not all it might have appeared to have been. i think what you are trying to say with this film is, ther...

Is that how you see it? yeah, i mean, i guess by the nature of the story, it starts as one thing and slowly morphs into a psychological thriller and i think in a way, that represents eloises journey in the movie. her trips back into the �*60s are initially very glamorous and alluring, and then things take a darker turn. last night in soho is a film which really references the 1960s, especially its music and cinema. so it is a celebration of all that was wonderful about british film in the �*...

Women to be made? i think it is because greenham was a womens peace camp and women — what women do never gets given as much attention. you cantjust stay at home, you have to go... the films pink and yellow branding echoes the sex pistols iconic album cover and makes its own call to modern—day female activism. some of those original protesters might prefer the purple, white and green of the suffragette movement as they argue they were the movements successors. these women changed our future. ...

So it is a celebration of all that was wonderful about british film in the 60s, hammer house and peeping tom, the powell and pressburger, all of that, all of those elements are there, and yeah. # you got worries, all the noise and the hurries... the works of the 1960s classic pop female vocalists like petula clark are omnipresent throughout edgar wrights movie. i feel like those songs by the female singers of the time, they are big and emotional, heart—rending ballads though they always seem l...

To modern—day female activism. some of those original protesters might prefer the purple, white and green of the suffragette movement, as they argue they were the movements successors. these women changed our future. welcome to soho, which has long been home to a section of the british film and television community. and this year, one of the big titles at the london film festival is set right here in this neighbourhood. its a picture called last night in soho, and it comes from acclaimed briti...

Of excitement and horror in the 1960s soho underworld. edgar wright told me why he wanted to make this movie, partly set in the 1960s. it is an obsession with the decade, starting with my parents�* record collection. and then it was an attempt to so explore why i was so obsessed with the decade i was not alive in. and then the dangers of romanticising the past, and the danger of using phrases like the "good old days" to imagine everything was great and nothing was bad. and in terms of genre, p...

Hello from the bfi london film festival and welcome to talking movies, im tom brook. in todays programme, highlights in one of the uks biggest annual film events. the movie, spencer, brought kristen stewart onto the red carpet with herfictionalised portrait of diana, princess of wales. we were so influenced and inspired by this woman. a personalised memoir of his belfast childhood from kenneth branagh. in black and white, is it his version of the oscar winning roma? the story of the film is this...

Describe the film is a psychological horror, is that how you see it?— psychological horror, is that how you see it? yeah, i guess b the how you see it? yeah, i guess by the nature _ how you see it? yeah, i guess by the nature of _ how you see it? yeah, i guess by the nature of the _ how you see it? yeah, i guess by the nature of the story i how you see it? yeah, i guess by the nature of the story and | by the nature of the story and starts as one thing and slowly morphs into a psychological ho...