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Review: The political chiller New Order is an expression of contempt — and deserves the same | Arts & Entertainment
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Torneo Open Internazionale di Scacchi Parma, città della Cultura 2020-2021
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To convey the experience of the young-adult romance âFinding You,â here are some characters: Thereâs protagonist Finley Sinclair, a tall, blond violinist; heartthrob actor Beckett Rush and unfeeling manager-father Montgomery Rush; Beckettâs shallow co-star Taylor Risdale; and there are regular Irish folks named Seamus (who is habitually drunk), Molly and Patrick.
Thatâs what youâre in for.
Based on Jenny B. Jonesâ novel, âThere Youâll Find Me,â âFinding Youâ finds Finley (Rose Reid) finally following the fraternal footsteps of her deceased brother to Ireland, land of saints and scholars. The college-aged lass is a technically accomplished player trying to get into a conservatory that makes prospective students compose their audition pieces; apparently she has to learn to play from the heart to get over the top before her next try. Perhaps on her sojourn to the Emerald Isle sheâll learn that lesson ⦠and find roma
G. Allen Johnson May 12, 2021Updated: May 13, 2021, 12:36 pm
Anders Thomas Jensen’s Danish film “Riders of Justice” stars Lars Brygmann (left), Andrea Heick Gadeberg, Mads Mikkelsen, Nikolaj Lie Kaas and Nicolas Bro. Photo: Anders Overgaard, Magnet Releasing
Imagine a Liam Neeson revenge thriller with an early Coen brothers oddball vibe.
In Anders Thomas Jensen’s Danish film “Riders of Justice,” which is both action thriller and sensitive father-daughter drama, the incomparable Mads Mikkelsen is a soldier with a special set of skills who goes after the crime organization behind his wife’s killing.
Except, it’s not really
that kind of film. At its heart, it’s a darkly comic drama about a man trained to be a killing machine who must rediscover his own humanity before his daughter loses hers. Along the way, a family of quirky characters is formed.
For the past decade, director Zack Snyder has been on an odyssey through the DC Comics cinematic universe, culminating with his final (for now?) âSnyderverseâ installment, âZack Snyderâs Justice League.â Now, he returns to his roots with the Vegas-set zombie heist movie âArmy of the Dead.â Itâs a homecoming for Snyder, as his feature directorial debut, 2004âs âDawn of the Dead,â a remake of the George Romero classic, is hailed by many as his best work. The film is an evolution of and homage to his first feature, with direct references and a return to its snarky and cynical tone. Much like âDawn,â âArmy of the Deadâ is sarcastic, funny, shockingly bloody and almost unbearably bleak.
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