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Dokumentarfilme auf der Berlinale: Hommage an die Unsichtbaren - Kultur
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Berlinale: Im Forum-Programm ist dieses Jahr alles im Fluss
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In Berlin, Fact, Fiction are Fluid | Hollywood Reporter
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Stefan Kolbe and
Chris Wright focus on the nature of documentary filmmaking itself. In this social study and portrait of a murderer, which premiered in the Forum section of this year s Berlinale, they reflect on their own approach to their protagonists and on how their own perception might differ from that of the viewer and from that of the protagonists themselves. We talked to the directors about professional distance and their commitment to filmmaking.
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Cineuropa: How did the project start?
Chris Wright: We always drag questions with us from one film to the next. The last one was about the documentary work itself. So far, we ve been very close to the protagonists and wanted to tell about our encounters with them. But we felt people didn t always understand what a documentary was exactly. We were accused of not being objective, for example. What does it mean to us, to deal so intensively with our protagonists? Can we even fo
film profile] - one of the titles taking part to the Forum strand of this year’s Berlinale - is an intense and incredibly puzzling exploration of the life of an ice-cold woman killer, Stefan S., given a false name here as he wishes to remain anonymous. The title hints at the two main processes behind Kolbe and Wright’s work, namely an attempt to recall the events leading to the murder of Stefan’s young colleague Maria M. (another false name), and another to reconstruct his entire psychiatric history. The making of this brave, non-fiction feature started a few years ago, when the two filmmakers met the killer in the therapy ward of Brandeburg Prison. He initially came across as a polite and shy, everyday man. Interestingly, the criminal has taken part in one of Europe’s most progressive rehabilitation programmes for violent criminals and sex offenders, named “Masculinity and Identity.”