Stuart Stephenson News Today

Crony, a wealthy republican donor named louis dejoy, thats him right there. As postmaster general earlier this year. And this is the board of governors, all appointed by President Trump, a pretty Homogenous Group of men. Now dejoy is instituting changes at the post office, allegedly to cut costs, that are slowing down mail delivery nationwide, that could potentially create huge problems for mailin voting as the pandemic still rages across this country and if the mail takes too long to get back t...

Over the past few days concert goers at the Aspen Music Festival heard a Chinese composer’s piece for piano and orchestra that swerved from celestial beauty to agonizing noise, a saxophonist who delineated music by composers from Baroque to Björk with a pop artist’s flair, Wynton Marsalis’ delightful jazz-infused version of a Stravinsky classic and a 45-minute rumination of the history of time that spread sections of the orchestra around the perimeter of the music tent.

Two of the most remarkable performances of the year highlighted a strong weekend of exciting music-making at the Aspen Music Festival. It took something special to top Friday’s knockout performance of Rachmaninoff’s Piano Concerto No. 3 by the teenage Yunchan Lim, but Sunday’s majestic Mahler Symphony No. 3 did.

When it comes to Beethoven, violinist Stefan Jackiw, cellist Alisa Weilerstein and pianist Inon Barnatan make a good team. Thursday evening in the Benedict Music Tent, with the composer’s “Ghost” Trio, they took things up a notch or two from last Sunday’s triple concerto performance. The Piano Trio Op. 70 No. 1 got the nickname “Ghost” because of all the spooky tremolos in the expansive slow movement. Today’s audiences may not find it all that sinister, but the shifting textures a...