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I imagine that in every local music scene, someone could make a diagram for a given geo-temporal parameter (for example, the Fort Worth of 1978) that is basically a bunch of musicians’ names with lines drawn between themselves and everyone else they played with, the lines labeled with their groups’ names. Given the

Although it’s a certainty that some brownline-framed-glasses-sporting internet-bullying parvenu — armed with an underground music XP dwarfing that of the average mortal local music journalist — would all too eagerly expose the assessment for its sheer contemptible and laughable ignorance, it is mostly accepted that