Over. Oh, jesus, it is so heavy. Where are thunder from down under dudes. That looks like my browny bridge. Like a little troll. Under the rainbow. Put one right here. Lets see what else. Put one in your camera. So we will blow this sucker up here before 10 00 oclock. You know i think we should have called somebody from l ape i, yes. Jeff cole will be here tonight. Did you say we are going out with a bang. Dont forget the robo room. That room stinks, i better take two sticks for this. Jamill, over here, brother. Okay. Tom, get out of here because we will blow up this room too. Thank you. Kacie and sue please. Yes. Get one for yourself. Yes. Safety first. Women and children. Getting ready. A copier that hasnt work in three years. Were ready to go. That hat doesnt fit, kacie. It is not too safe. Where is your eye wear. My daughter jill, i have said repeat thely now that it will be and now i need a song when jessica got married i did martina mcbrides, in my daughters eyes. You can do some
By Andrea Leksen
How did you discover your passion for typography? I’ve been interested in typography ever since I became a graphic designer eighteen years ago, but it wasn’t until Seattle Pacific University asked me to teach typography courses, like Advanced Typography, in 2011 that I became addicted. I went to my first typography conference in Seattle, where I took a workshop on type design by Sumner Stone and was introduced to a group called Type Tuesday, which has now become a chapter of the international organization TypeThursday. There, I met fellow typoholics, became exposed to fascinating type design projects and started attending typography conferences regularly. I was smitten! The second year I taught Advanced Typography, I included a type design project in the curriculum and made my first typeface, Bemis, with my students. While I never felt like I fit in with the design crowd, I immediately felt at home with the geeky, detail-oriented and down-to-earth typography wor