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Superking Son Scores Again

We hid behind the stacked crates and spied on them. Superking Son was in the center of the circle, staring intently at the floor. His hand seemed stuck to his chin. Some ghostly vision played out in front of his eyes, and it shocked the color out of him. Cha Quai Factory Son was there too, his hands on Superking Son’s shoulders, like he was both consoling him and holding him back from doing something stupid. A wave of money flashed around the circle, only stopping to be counted and recounted, probably to make sure no one had slipped any bills into his pocket.

Anthony Veasna So s Portraits of Diaspora

His posthumous collection Afterparties is part of a new wave of writing on the cultural memory and historical traumas of Southeast Asian immigrants. 

The inherited trauma of the Killing Fields for Khmer Americans infuses the short stories Anthony Veasna So left behind before he died, and collected in Afterparties

The inherited trauma of the Killing Fields for Khmer Americans infuses the short stories Anthony Veasna So left behind before he died, and collected in Afterparties
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On Anthony Veasna So

Email Address Anthony Veasna So walked into the n+1 office one very cold day in February 2018. I mean that literally: he just walked in, straight off the bus from Syracuse, preceded by an email of recommendation from his professor. It was an old-school arrival like something out of Balzac, or Tolstoy, at odds with Anthony’s utter contemporaneity and present tense-ness, but also totally on brand for someone who was unable and unwilling to distinguish between literature and life. In any case, it was a great fucking entrance, and it made an impression. We published his story “Superking Son Scores Again” a couple months later, in Issue 31. His story “The Monks” and his review of

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