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Opera review: Orpheus & Eurydice, Sydney Festival

Close to perfection : Karah Son s stunning Desdemona in Otello

This thrilling production of Verdi’s masterpiece brings out the conflicting power relationships between nations, races and individuals.

Close to perfection : Karah Son s stunning Desdemona in Otello

This thrilling production of Verdi’s masterpiece brings out the conflicting power relationships between nations, races and individuals.

Close to perfection : Karah Son s stunning Desdemona in Otello

This thrilling production of Verdi’s masterpiece brings out the conflicting power relationships between nations, races and individuals.

Opera Australia s Merry Widow a non-serious operetta highly worthy of support

Opera Australia s Merry Widow a non-serious operetta highly worthy of support We’re sorry, this service is currently unavailable. Please try again later. Dismiss Opera Australia s Merry Widow a non-serious operetta highly worthy of support By Peter McCallum Normal text size Reviewed January 5 Karl Kraus, pointed satirist of early 20th century Austro-German affairs, is reputed to have remarked that in Berlin, things were serious but not desperate, whereas in Vienna they were desperate but not serious. In a different sense the same might be said of Opera Australia’s return to the stage this year with Lehar’s The Merry Widow, although, in what they have so far committed to in their 2021 season, things promise to become more serious provided they don’t become more desperate.

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