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Foodman: Uchigawa Tankentai EP

While the Japanese producer’s early music was grounded in footwork, he relegates rhythm to the margins on his latest EP, arranging his samples into wild abstractions and warped folk songs.

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Foodman: Yasuragi Land

Bandcamp / Buy Foodman’s music assembles tiny sounds into intricate grooves. Short clicks and pops, clipped gurgles and swishes, and miniscule snippets of synth arrange themselves into tangled rhythms that reference different types of electronic music, from house and footwork to classic video-game soundtracks, but always feel skewed and toylike. Often it sounds like a miniature approximation of dance music, as if he’s built a club out of a colorful assortment of Legos, just waiting for the tiny figurines to come alive and find their groove. It is a swirl of joy and creative energy, leaving an unmistakable impression of the Japanese producer’s wonder as he discovers the answer to the question “What happens if I do

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Review: foodman – Yasuragi Land

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How Chicago house music kickstarted a music revolution in Japan

How Chicago house music kickstarted a music revolution in Japan We’re sorry, this service is currently unavailable. Please try again later. Dismiss By Cat Woods Normal text size Advertisement For a decade, Nagoya-based producer Takahide Higuchi has made the electronic music genre of juke his own. His albums, including Ez Minzoku in 2016 and Aru Otoko No Densetsu in 2018 are chock-full of whimsy, scattered beats, kick drums and snares, flutes, horns, woodwind and snipped-up samples that build into a cartoonish, immersive sonic collage. His wonderfully strange music has been embraced by culture tastemakers Pitchfork (naming i-D (which commissioned a DJ mix in 2017).