Teddy Talbot News Today

Advertisement Hitchcock’s famous example of suspense—a bomb planted beneath a table, its presence known to the viewer but not to the characters on screen—works equally well if the explosive device is a human being. In The Killing Of Two Lovers, it’s a middle-aged man named David (Clayne Crawford) who’s silently ticking; the film opens with him standing over the bed of a sleeping couple, pointing a pistol at each of them in turn, visibly anguished. Before he can summon the nerve or th...