Page 2 - Test Audiences News Today

television. >> we have seen the news, and it is us. ♪ ♪ slowly but surely, the 1970s are disappearing. the 1980s will be upon us. and what a decade it is coming up. happy new year! >> as we began the 80s in the television world, the landscape was on any given evening, 9 out of 10 people watching only one of three networks. >> more than 30 million people are addicted to it. social critics are mystified by its success. what is it? its televisions primetime prairie potboiler "dallas...

embarrassed to admit they watch television. >> hello. >> people used to say i was there. now they say i watch it on television. ♪ slowly but surely, the 1970s are disappearing. the 1980s will be upon us. what a decade it is coming up. >> happy new year! >> as you begin the 80s in the television world, the landscape nine out of ten watching one of only three networks. >> more than 30 million people are aducked to it. social critics are mystified by its success. what is it? its telev...

will bring out both the best and worst in us. and television has been that. >> they dont pay me enough to deal with animals like this. >> people are no longer embarrassed to admit they watch television. >> we have seen the news, and it is us. ♪ ♪ slowly but surely, the 1970s are disappearing. the 1980s will be upon us. and what a decade it is coming up. happy new year! >> as we began the 80s in the television world, the landscape was on any given evening, 9 out of 10 people watchin...

free text l0 to three-to-one, three-to-one today, i hanako montgomery in tokyo and this jensen: its a time of enormous turmoil. shut up in here. the 60s are over dad. durham: heres michael at the foul line, a shot on ehlo. -good! -yeah! ha-ha! turner: we intend to cover all the news all the time. we wont be signing off until the world ends. isnt that special? any tool for human expression will bring out the best and the worst in us, and television has been that. they dont pay me enough...

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Burrows: we had the luck to be able to rotate cast and every time we put somebody in, there were explosions. bwah! levine: there was something very special about that setting, those characters, that i never got tired of writing that show. sophisticated surveys, telephonic samplings, test audiences, all of those things help to separate winners from losers and make mid-course corrections. but you cant cut all comedies from the same cookie cutters. all you can hope is that every night turns out lik...

Sam knew how to tease diane. and i guess we knew how to tease the audience. >> this incredible chemistry between the two of them ignited the show. and thats what drove the show for the first five years. >> oh, im devastated. i need something expeditious and brutal to numb my sensibilities and blast me into sweet oblivion. >> how about a boilermaker? >> make it a mimosa. >> we had the luck to be able to rotate cast, and every time we put somebody in, there were explosions. >> bwah! >> there was s...

>> lets get the check. >> "fatal attraction" was like a cautionary tale. you know, the cheating husband, and the mistress turns out to be insane and a stalker, who murders bunnies and boils them, as a matter of fact. >> glenn closes legacy is forever tied to this film, and shes an incredible actress. >> well, what am i supposed to do? you wont answer my calls. you change your number. im -- im not gonna be ignored, dan. >> in the original script, audience sympathies were more evenly balanced betw...

I need something expeditious and brutal to numb my sensibilities and blast me into sweet oblivion. >> how about a boilermaker? >> make it a mimosa. >> we had the luck to be able to rotate cast, and every time we put somebody in, there were explosions. >> bwah! >> there was something very special about that setting, those characters, that i never got tired of writing that show. >> sophisticated surveys, telephonic samplings, test audiences -- all of those things help to separate winners from lose...

The first five years. >> whats the matter? >> im devastated. i need something expeditious and brutal to numb my sensibilities and blast me into sweet oblivion. >> how about a boilermaker? >> make it a mimosa. >> we had the luck to be able to rotate cast, and every time we put somebody in, there were explosions. >> there was something very special about that setting, those characters, that i never got tired of writing that show. >> sophisticated surveys, telephonic samplings, test audiences. all ...