We pick up the Stutz story once again today, at a turning point in the brand's history. Though its foundation as Ideal Motor Car Company was only a few years prior in 1911, by 1919 big changes were afoot at the company. Disenchanted that he'd lost control of his company when he sought outside investment capital, Harry C. Stutz departed his own firm in July of that year. He took with him the other remaining founder, Henry Campbell. Control of Stutz Motor Cars fell to its primary investor; the man who'd been running the company since the IPO in 1916: Allan. A. Ryan.
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03/03/2021
If you’re into art or history, or just like being outdoors, a trip to the Three Rivers Petroglyph Site, in Southern New Mexico about halfway between Tularosa and Carrizozo, is a must. Just east of U.S. Highway 54, there’s a basaltic escarpment and, on nearly every available surface along the ridgeline, the Jornada Mogollon people, sometime between 900 and 1400 CE, chipped the desert varnish to create petroglyphs.
The History
The people lived along three creeks that give the place its name. Three Rivers sounds more majestic than three creeks, I suppose, but water was once more secure there. Reminders of their presence can be found in partially excavated pit houses along one of the creeks near the petroglyphs.
New World Wonder: How a geological oddity became an enduring symbol of the nation in American Art Christopher C. Oliver
Fig. 1.
Thomas Jefferson at Natural Bridge by Caleb Boyle (active 1800–1822), c. 1801. Oil on canvas, 92 by 60 inches.
Lafayette College, Easton, Pennsylvania, Kirby Collection of Historical Paintings.
The Natural Bridge of Virginia is a 215-foottall geological formation located in the Shenandoah Valley that is the last remnant of the roof of an ancient cavern that collapsed millions of years ago. Its impressive height and unique features inspired generations of artists who visited the site, which for many eighteenth- and nineteenth-century artists was relatively remote. Yet, its craggy, foresttopped visage made a familiar and frequent appearance in painting, prints, photography, and the decorative arts of the era. As one of the earliest painters to depict the site, Joshua Shaw, remarked upon his visit to the Natural Bridge in 1820: “It is one of those s