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In her 25 years of making films, Sofia Coppola has always found the poetry behind the headlines, the banality in the glamour, the soul in the superficial.

In her 25 years of making films, Sofia Coppola has always found the poetry behind the headlines, the banality in the glamour, the soul in the superficial. Her dreamy, lyrical

Sofia Coppola learned a long time ago that in order to have full creative freedom, shed have to to get creative with budgets and timelines. Though to look at her

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In her 25 years of making films, Sofia Coppola has always found the poetry behind the headlines, the banality in the glamour, the soul in the superficial. Her dreamy, lyrical portraits of girl culture and gilded cages have taken her to 18th-century Versailles, 1970s suburban Michigan, the 1860s South, noughties Calabasas and modern-day Tokyo, West Hollywood and Manhattan.

In her 25 years of making films, Sofia Coppola has always found the poetry behind the headlines, the banality in the glamour, the soul in the superficial. Her dreamy, lyrical

In her 25 years of making films, Sofia Coppola has always found the poetry behind the headlines, the banality in the glamour, the soul in the superficial. Her dreamy, lyrical portraits of girl culture and gilded cages have brought her to 18th century Versailles, 1970s suburban Michigan, the 1860s South, noughties Calabasas and modern-day Tokyo, West Hollywood and Manhattan.

Sofia Coppola learned a long time ago that in order to have full creative freedom, shed have to to get creative with budgets and timelines. Though to look at her

Sofia Coppola learned a long time ago that in order to have full creative freedom, shed have to to get creative with budgets and timelines. Though to look at her

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