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What It Takes: Screening & Discussion with the Creators of Black Stains
During this event, participants will have the opportunity to watch Black Stains (2018). Afterward, we will hear from the director, cinematographer, and producer Tiffany Rhynard, choreographer, and producer Trent D. Williams, Jr., and composer Farai Malianga.
Inspired by the personal experiences of Trent D. Williams, Jr., an African American choreographer, Black Stains depicts the reality of living while Black in the United States and addresses the systemic pattern of racial profiling by the police. Interviews with Black men encompassing a broad spectrum of age, background, and experience illustrate personal human stories that bring abstract issues into sharper focus. Woven together with robust dancing and original music from composer Farai Malianga, the film invites a conversation about how to navigate complex racial issues in a country that refuses to make amends for its troubled past.
United-statesAmericanTiffany-rhynardTrentd-williams-jrFarai-maliangaBlack-stainsAfrican-americanஒன்றுபட்டது-மாநிலங்களில்அமெரிக்கன்டிஃப்பனி-ரைனார்ட்கருப்பு-கறைOn Jan. 27, the Union for Gender Empowerment (UGE) at McGill hosted a virtual screening of the documentary
Forbidden: Undocumented and Queer in Rural America, which follows Moises Serrano, a young, undocumented, gay man. Directed by Tiffany Rhynard,
Forbidden’s 88 minutes immerse viewers in Serrano’s life and his grapple with the various socio-political tensions underlying his identity. Released on July 12, 2016 and screened one week after President Joe Biden’s inauguration, the film is a historical marker of the impact of recent discriminatory legislation in the United States.
The film opens with the provoking cries from a familiar face. He rallies the crowd, persuades them, and calls for a solution to a shared “issue.” His audience cheers, enthralled with the seemingly new possibilities. The familiar face was then-candidate and now-former President Donald Trump, uniting his supporters around building a wall at the Mexico-U.S. border. The frame then shifts to a large group of undocumented immigrants, Serrano among them, at a pro-immigration demonstration in Greensboro, North Carolina, where a pastor recalls a main tenet in the Bible: Treat others right. One minute into the movie, the audience witnesses the uneven war where one side wants “their” country “back” while the other side wants freedom and humanity. Rhynard’s opening draws battle lines between politics and reality, and in continuing to mix major political decisions with Serrano’s impassioned speeches and snippets from his life, she situates Serrano and others’ stories into a broader context.
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FSU College of Fine Arts faculty featured in virtual exhibition ‘What it Takes’
February 2, 2021 | 3:40 pm | SHARE:
In a first-of-its-kind virtual faculty exhibition, Florida State University’s Museum of Fine Arts (MoFA) has brought together the six schools and departments in the College of Fine Arts for a celebration and exploration of the power of research in the arts.
“What It Takes” features work from faculty across the college, showing the strengths, visions and skills of its many esteemed artists, performers, choreographers, designers and historians.
“Not only does this exhibition highlight the diverse accomplishments and research pursuits of CFA faculty, but it also underscores our college’s basic educational mission of encouraging students to see and experience differently and engage the world critically,” said Michael Carrasco, associate dean of the College of Fine Arts. “Its web-based presentational format demonstrates the resiliency of the arts’ response to the pandemic crisis, and in a way that offers an opportunity to reach an even larger community than a conventional exhibition.”
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