Smartphone brand realme on Tuesday unveiled industry-leading 108MP camera with trendsetting features that will arrive in the upcoming realme 8 series. The 8 series smartphones will have sharper photo quality, world s first tilt-shift time-lapse video, starry time-lapse video, and new portrait filters. The 108MP photo taken by realme 8 Pro has a well-balanced overall exposure with vivid colours and sharp details in both bright and dark areas. The details stay sharp even after zooming in, the company informed during a virtual briefing at its Camera Innovation Event . In realme 8 Pro s camera, 3x mode activates a new In-sensor Zoom which will only use the 12MP sensor mapped with the zoomed part to generate an image.
kid. and like you have these tiny versions of things, you make little towns and have all these constructions vehicles and that s really where it came from. and look, someone else made a miniature chicago. this was just a different view of the city. i was thinking, you know, i d love to get something that people can relate to and enjoy. what s really fascinating about this is you really, really can t tell if it s real or if it s miniature sets. when you first see the boat, it looks like a little miniature boat. it almost looks like it s in a bathtub. so, how did these two videographers make tiny little towns out of two of america s largest cities? if you guessed model toys, you d be wrong. they did this through tilt shift photography. it s a method of where you re actually shooting down at an angle, and it blurs out backgrounds and really focuses your attention on particular scenes and people within those
it sort of feels like toys brought to life. it reminded me of when you used to play in the sand pit as a kid. you would make little towns and that s really where it came from. and look, someone else made a miniature chicago. this was just a different view of the city. i was thinking, you know, i d love to get something that people can relate to and enjoy. what s really fascinating about this is you really, really can t tell if it s real or if it s miniature sets. when you first see the boat, it looks like a little miniature boat. it almost looks like it s in a bathtub. so, how did these two videographers make tiny little towns out of two of america s largest cities? if you guessed model toys, you d be wrong. this is the tilt shift photography. it s a method of where you re actually shooting down at an
it sort of feels like toys brought to life. is re it reminded me of when you used to play in the sand pit as a kid. you would make little towns and that s really where it came from. and look, someone else made a miniature chicago. this was just a different view of the city. i was thinking, you know, i d love to get something that people can relate to and enjoy. what s really fascinating about this is you really, really can t tell if it s real or if it s miniature sets. when you first see the boat, it looks like a little miniature boat. it almost looks like it s in a bathtub. so, how did these two videographers make tiny little towns out of two of america s largest cities? if you guessed model toys, you d be wrong. this is the tilt shift photography.
this is the tilt shift photography. it s a method of where you re actually shooting down at an angle, and it blurs out backgrounds and really focuses your attention on particular scenes and people within those scenes. there s sort of two ways people make these tilt shift images. on one hand, people use actual tilt shift lenses sometimes. but then people started figuring out ways to do it in post production. the thing that makes it feel like toys, it s a combination of two things, really. the first thing is when you see the focus is falling off, that immediately cues you to think that it s small. and the second thing is the acceleration. when you look at things like the boats and the helicopter, they seem to bob up and down. that s what a smaller thing would do. for his new york miniatures, sam used a still camera and normal lens to shoot 35,000 digital images to create his stop-motion effect then played with focus and color in post-production. in chicago, wgntv producer tony li