Barely three years ago, Kenya's musical scene experienced a wave never seen before with the emergence of Gengetone. It constituted of fast paced beats with the players young and full of energy singing about anything and everything in a language that was deemed vulgar. Even though they ruled the industry for quite sometime, their dominance have since declined greatly.
What could be the cause of this sudden retreat? Is it the reluctance of event promoters to book these emerging talents, failing to recognise their burgeoning potential?