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July 15, 2023
Forty years ago, a Zimbabwean drummer in Scotland threw away his passport and helped invent the sound of the Eighties. He’s been crossing genres, stretching rhythms, and defying the forces that divide us ever since
July 15, 2023
The remarkable story of pop's citizen of the word, from an early version of 'Running Up That Hill' to a brilliant anti-apartheid record
January 17, 2023
Working with minimalist guitar, gentle vocals, and an understated rhythm section, the English musician constructs a careful lesson about the awe of being present.
December 16, 2022
Our last events newsletter of the year has lots of festive treats, from Lost Map's Christmas Humbug to NYE parties at Mono and La Belle Angele.
November 21, 2022
As the DIY publication is collected in a new anthology, creator Osa Atoe and the musicians she inspired reflect on its defiant positivity
August 10, 2022
Post punk female band bring their playful art pop to Kilkenny
July 22, 2022
A new rock music and pop culture website. Editorial independent music website offering news, reviews, features, interviews, videos and pictures
June 13, 2022
A new rock music and pop culture website. Editorial independent music website offering news, reviews, features, interviews, videos and pictures
February 24, 2022
A new rock music and pop culture website. Editorial independent music website offering news, reviews, features, interviews, videos and pictures
May 1, 2021
Stephanie Phillips , May 1st, 2021 08:18 In an exclusive extract from her new book Why Solange Matters, Stephanie Phillips explores the significance of appropriation in indie music Solange performing at Coachella on April 19, 2014. Photo by NeonTommy CC BY-SA2.0 The whiteness of indie rock matters because the participants’ poor understanding of race and unexamined privilege had a lasting effect on Solange, and it all started back in August 2009 at a free Grizzly Bear show in Williamsburg, Ne...