Turning Forms News Today

Sun 30 May 2021 08.30 EDT In the mid-1950s, Barbara Hepworth returned to bronze after a break of 30 years. Casting in metal not only meant that several editions of the same work could be made and sold; it was more durable than her carvings, and thus better suited, as she put it, to the “travelling circus” of the contemporary art world. But the change brought with it a shift in style, too: a salty new freedom. The first of these bronzes, Curved Form (Trevalgan) (1956), the idea for wh...

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