Page 3 - Tv Scoring News Today

I mean, not exactly up my alley style and persona-wise. heaven knows im no box of candy. >> television very much was the small screen. what was interesting about tony yerkovichs pilot screenplay for "miami vice," it was very much not that. very much the approach was, okay, they call this a television series. but were going to make one-hour movies every single week. >> here we go. stand by. >> action! >> police, police! >> they were describing the show as sort of a new wave cop show. >> yeah, its...

Mood and feeling of our show. >> in a lot of ways you dont get "miami vice" without mtv because in a lot of ways "miami vice" was a long video. the music was such a big part of that show. ♪ >> there was an allure to using great music that everybody was listening to as opposed to the routine kind of tv scoring of that period. ♪ i can feel it coming in the air tonight ♪ >> it was only not afraid to let long scenes play out. it would drag -- a car going from point "a" to point "b" could be a ...

Mood and feeling of our show. >> in a lot of ways you dont get "miami vice" without mtv because in a lot of ways "miami vice" was a long video. the music was such a big part of that show. >> there was an allure to using great music that everybody was listening to as opposed to the routine kind of tv scoring of that period. ♪ i can feel it coming in the air tonight ♪ >> not only was it not afraid to let long scenes play out, it would drag. a car going from point a to point b could be a four-m...

>> in a lot of ways you dont get "miami vice" without mtv because in a lot of ways "miami vice" was a long video. the music was such a big part of that show. ♪ >> there was an allure to using great music that everybody was listening to as opposed to the routine kind of tv scoring of that period. ♪ i can feel it coming in the air tonight ♪ >> not only was it not afraid to let long scenes play out, it would drag -- a car going from point "a" to point b could be a four-minute phil collins son...

I mean, youre not exactly up my alley style and persona-wise. heaven knows im no box of candy. >> television very much was the small screen. what was interesting about tony yerkovichs pilot screenplay for "miami vice," it was very much not that. very much the approach was, okay, they call this a television series. but were going to make one-hour movies every single week. >> here we go. stand by. >> action! >> police! police! >> they were describing the show as sort of a new wave cop show. >> yea...

80s. we use a lot of mtv images and rock music to help describe the mood and feeling of our show. >> in a lot of ways you dont get "miami vice" without mtv because in a lot of ways "miami vice" was a long video. the music was such a big part of that show. >> there was an allure to using great music that everybody was listening to as opposed to the routine kind of tv scoring of that period. ♪ i can feel it coming in the air tonight ♪ >> not only was it not afraid to let long scenes play out, ...

>> i dont know how this is going to work, tubbs. i mean youre not exactly up my alley style and persona-wise. heaven knows im no box of candy. >> television very much was the small screen. it was interesting about tonys pilot screen play for "miami vice.” it was not that. very much the approach was, okay, they call this a television series. but were going to make one-hour movies every single week. >> here we go. stand by. >> action. >> police! >> you were just describing the show as sort of a ...

♪ >> there was an allure to using great music that everybody was listening to as opposed to the routine kind of tv scoring of that period. ♪ i can feel it coming in the air tonight ♪ >> it was only not afraid to let long scenes play out. it would drag -- a car going from point "a" to point "b" could be a four-minute phil collins song, you know. and it was. ♪ hold on >> being able to take a television series like "miami vice" and lets really kind of rock and roll with this until somebody ...

It was interesting about tonys pilot screenplay for "miami vice," it was not that, very much the approach was, okay, they call us a television series but were going to make one-hour movies every single week. >> here we go. stand by. >> action. >> police! >> you were just describing the show as sort of a new wave cop show. >> yeah, its a cop show for the 80s. i mean, we use a lot of mtv images and rock music to help describe the mood and feeling of our show. >> in a lot of ways you dont get "miam...

"miami vice" is it was exactly not that. very much the approach was, okay, they call this a television series. but were going to make one-hour movies every single week. >> here we go. stand by. >> action! >> police, police! >> they were describing the show as a new wave cop show. >> its a cop show for the 80s. we use a lot of mtv images and rock music to help describe the mood and feeling of our show. >> in a lot of ways you dont get "miami vice" without mtv because in a lot of ways "miami vice"...