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it's not an error with the file or a mix—up in the screening. this is the intended result. that's because this film is being billed as a generative documentary, a movie that, with the help of generative software, can rewrite itself before every screening. like, we're so locked into this concept of film and television always has to be the same. it's linear, it's static, it never changes. that's a technical constraint that's from 130 years ago. we don't have those constraints with digital technology anymore, so why are we still sticking with them? when you create something, you're doing this thing that humans are very good at, which is imagining. for the uninitiated, brian eno is a bit of a legend, notjust for the music he's created — he's produced acts like u2 and david bowie — but for his philosophy, his ideas about creativity and how art can be made, particularly with the help of generative technology.

documentary, a movie that, with the help of generative software, can rewrite itself before every screening. like, we're so locked into this concept of film and television always has to be the same. it's linear, it's static, it never changes. that's a technical constraint that's from 130 years ago. we don't have those constraints with digital technology any more, so why are we still sticking with them? when you create something, you're doing this thing that humans are very good at, which is imagining. for the uninitiated, brian eno is a bit of a legend, notjust for the music he's created — he's produced acts like u2 and david bowie — but for his philosophy, his ideas about creativity and how art can be made, particularly with the help of generative technology. a lot of the ways that brian creates music and art are also reflected in the way we created the film, because we're not making

this is documentary filmmaker gary hustwit. if you didn't catch that, he just said that his new film about brian eno, the one we all just watched, will never be seen again. it's not an error with the file or a mix—up in the screening. this is the intended result. that's because this film is being billed as a generative documentary, a movie that, with the help of generative software, can rewrite itself before every screening. like, we're so locked into this concept of, film and television always has to be the same. it's linear, it's static, it never changes. that's a technical constraint that's from 130 years ago. we don't have those constraints with digital technology any more, so why are we still sticking with them? when you create something, you're doing this thing that humans are very good at, which is imagining. for the uninitiated, brian eno is a bit of a legend, notjust for the music he's created — he's produced acts like u2 and david bowie —

Records that shaped me: by Ray D'Arcy, Chupi Sweetman, Joe Duffy, Pauline McLynn, Paul Howard and more – The Irish Times

The way we listen to music may have changed but our relationship with recorded sound remains a vital part of who we are

for the uninitiated, brian eno is a bit of a legend, notjust for the music he's created — he's produced acts like u2 and david bowie — but for his philosophy, his ideas about creativity and how art can be made, particularly with the help of generative technology. a lot of the ways that brian creates music and art are also reflected in the way we created the film, because we're not making a normal documentary where we craft each scene and, you know, time it out. we're creating kind of a structure in software that will create our film. you can think of it like this. up here, we have a pool of pre—cut scenes, hundreds of hours of never before seen archival footage and exclusive interviews with eno. down here, we have an empty structure looking for pieces to fill up the slots. some parts of the film are always the same. pieces here are pinned in place, but for the rest, the software makes selections, slots them into place based on instructions

Stardust Memories; Tragedy on the Wasteland, death and despair on Valentine's night, Dublin 1981

U2 guitarist Adam Clayton impresses BBC Gardeners' World fans with his 'magical' Dublin gardens

U2 star Adam Clayton, 64, recently made a surprise appearance on the Gardeners' World programme where he showed off his impressive garden to BBC viewers

Court dismisses man's case alleging he wrote song on U2 album

Maurice Kiely alleged he wrote 'A Man and A Woman' in 1998, which featured on the band's album, How to Dismantle an Atomic Bomb

'This is like our Christmas': Music outlets preparing for queues on World Record Store Day – The Irish Times

Hard copies of releases from U2, The Cranberries, Fleetwood Mac, Pearl Jam and more to be in demand despite availability of music online

Court dismisses multi million euro damages bid by Dublin musician who claimed he wrote U2 song