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The First Photo Vogue Festival Launches in Milan

The First Photo Vogue Festival Launches in Milan
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Milano
Lombardia
Italy
Palazzo-reale
Campania
Milan
Yelena-yemchuk
David-bailey
Los-angeles
Alessia-glaviano
Steven-meisel
Cindy-sherman

Programme Announcement 29th Raindance Film Festival

Programme Announcement 29th Raindance Film Festival
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Latvia
Louisiana
United-states
Kazakhstan
Australia
Afghanistan
United-kingdom
Brazil
China
San-sebastian
Pais-vasco
Spain

"Tracks" - Unterhaltung - Magazin, ARTE, 11.06.2021, 05:00 Uhr - Sendung im TV-Programm - TV & Radio

"Tracks" - Unterhaltung - Magazin, ARTE, 11.06.2021, 05:00 Uhr - Sendung im TV-Programm - TV & Radio
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Russia
Uldus-bakhtiozinadie
Mike-diana
Bretons-roland-le
All-the
Behind-her
Wing-foilwing-foil-surfen
Sports-such-as-windsurfing
Wing-foil
Uldus-bakhtiozina
Christian-icons

"Tracks" - Unterhaltung - Magazin, ARTE, 05.06.2021, 01:05 Uhr - Sendung im TV-Programm - TV & Radio

"Tracks" - Unterhaltung - Magazin, ARTE, 05.06.2021, 01:05 Uhr - Sendung im TV-Programm - TV & Radio
tele.at - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from tele.at Daily Mail and Mail on Sunday newspapers.

Russia
Uldus-bakhtiozinadie
Mike-diana
Bretons-roland-le
All-the
Behind-her
Wing-foilwing-foil-surfen
Sports-such-as-windsurfing
Wing-foil
Uldus-bakhtiozina
Christian-icons

Photographs taken by Nazi camp prisoners remind us of the horrors of the Holocaust in new documentary at Berlin Film Festival

Foremost among the art films that premiered at the 2021 Berlin International Film Festival last week was À Pas Aveugles (From Where They Stood) a documentary by the French film-maker Christophe Cognet that focuses on the photographs taken by prisoners in Nazi concentration camps and in the Birkenau death camp. Cognet’s rigorously reconstructs the places where the pictures were shot in secret, identifies the people who took them, shows how they might have obtained and concealed cameras, and places the picture-taking in the wider context of Nazi forced labour and extermination. Since the Germans destroyed many of the camps as Allied troops approached, part of Cognet’s project became an archaeology of vanished sites that are now highly groomed monuments. Like crime scene reconstructions, each of these landscapes frames a microhistory of horror, not least in Birkenau, where fragments of charred bones still rise from mass graves when it rains.

Latelier
Bourgogne
France
Germany
Birkenau
Hessen
Russia
Berlin
Germans
French
German
Uldus-bakhtiozina

Russian folklore revised in Uldus Bakhtiozina's debut film

Synopsis A fisherman’s daughter knows but one way to scale, yet all are too different for a daughter of a tzar. “Tzarevna Scaling” (literal translation of the Russian title is “Fisherman’s Daughter”) is a folk tale film. Inherently simple in its form, the film in its essence is an exercise in Slavic lore, Russian folk tale tropes, archetypes and morphology, Christianity, a cultural history of Russia, of her social consciousness, their standing and integration within the “modern world” and “modern conscious”. The narrative of the film is strictly a horizontal line, a story leading from point A to point B. Yet it is augmented with a structure of implications and metaphors that curve the film into a spiral that cycles through several perpendicular dimensions: periods of Russian history, history of culture and metaphor, development of mythology and moral of folk tales, Christian symbols, colour as language. Thus, the film may be perceived by ways of its folk tale narrative only – horizontally, or followed along the spiral of the study into periods of Slavic culture and mythologeme.

Russia
Uldus-bakhtiozina
Tzarevna-scaling
ரஷ்யா

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