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Lifetime achievement award conferred on Umayalpuram K. Sivaraman

Kalakshetra Foundation's 70th annual art fest begins

The Engine Room - Record Collector Magazine

Across a career spanning more than five decades, Indian violinist and singer Lakshminarayana Shankar, known variously as L Shankar, Shenkar, or just

Crazy Mohan's 71st birth anniversary to be celebrated on Sunday

Phil Scarff: Setting Indian Classical Music on the Saxophone

I opposed the decision to allow anyone to become archakas to protect Hindu culture, says Jharkhand Governor

PM Narendra Modi Attacks on Rivals in Hyderabad, Says ‘Corrupt Will Not Be Spared’

He stated this while addressing BJP workers at Begumpet Airport in Hyderabad soon after his arrival to inaugurate fertilizer plant at Ramagundam in Peddapalli district. �� PM Narendra Modi Attacks on Rivals in Hyderabad, Says ‘Corrupt Will Not Be Spared’.

Tamil Nadu: PM Modi will confer honorary doctorate to this music legend at Dindigul Gandhigram University

The convocation ceremony of the University will be held on Friday as PM Modi will be handing out the degrees to students who completed their studies in the academic years of 2018, 2019, and 2019-2020.

Musician Rajna Swaminathan Among Handful of Women Mrudangam Artists

In 2019, when Rajna Swaminathan, acclaimed mrudangam artist – among a handful of women playing the mrudangam professionally – composer, and scholar, released her debut album, “Agency and Abstraction,” music connoisseurs took notice: she created new sounds from the instrument – which she started playing when she was just five – breaking away from tradition. In her music and research, according to her website, the Indian American musician “explores the undercurrents of rhythmic experience and emergent textures in collective improvisation.” She received her creative foundation on the instrument from her father, P.K. Swaminathan, and mrudangam maestro Umayalpuram K. Sivaraman. While she spent much of her youth performing in the Carnatic music and Bharatanatyam scenes across the diaspora and in India, her music has also been informed by her study of Western classical piano, an affinity for Indian film music and other popular music, and extensive collaborations with improvisers in New York’s creative music scene.

Sreevalsan Thiyyadi reviews Musical Excellence of Mridangam, by Umayalpuram K. Sivaraman, T. Ramaswami & M.D. Naresh

In seven segments, three writers describe the mridangam, partly adapting ideas from C.V. Raman’s seminal paper