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Marianne Boruch

Marianne Boruch Marianne Boruch, photo by David Dunlap Sarah Wolfson talks with Marianne Boruch about the platypus, Pliny, and the discovery lurking in “the spill of words.” Read “The Lyrebird Hidden…” and “Every Available Blue…” in NER 42.1. Sarah Wolfson: These poems are part of your forthcoming book, Bestiary Dark, a project you launched as a Fulbright Senior Scholar at the University of Canberra’s International Poetry Studies Institute. The purpose of your research was to observe Australian wildlife in order to write a bestiary. How did you first become interested in the bestiary genre? Marianne Boruch: Is it an honest-to-Zeus

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