Rublyova was born in 1967 in the urbantype village of askania nova, in the kherson region. Since childhood, she was already on stage, performing at concerts in the local cultural center, after school she entered the kherson music school, majoring in choir master. And since 1999, she worked at the kherson regional academic, music and drama theater named after mykola kulish, as an actorvocalist, choirmaster and a. Musical design of plays and concerts, for more than 20 years of work in the theater, ruzhena managed to go on tour in 10 countries of the world, including portugal and france. As a choirmaster, she collaborated with the Kyiv National academic operetta theater. I never wanted to change my theater for another one. Over the years, she has lived on the stage and contributed to the development of ukrainian culture. In 2021, by the decree of the president of ukraine, rublev was awarded the title of peoples artist of ukraine, but she did not stay as a peoples artist for a short time,
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asner: i ll tell you about the golden age of television. thisis period inin time will be looked upon as the platinum age. lear: our obligation is to entertain, anand if we veve left somethino think k about, so o much the b . kunta. kunta kinte. televisionon should nonot be jujust entertainment. charges were leveled at the commerercial televevision netw. congress has no right interfere with the media. well, excuse m me! we havave a respononsibility to give e the audienence what it tuned in to see. ththe years ofof the 60s,, which h end in a f few hours, have a bad reputation that is not entirely justified. some things got worse, obviously, but tv and other news coverage is better, not worse. we simply developed more demanding standards. when i think of tv, i think of the 70s. whwhat is thisis d coming to?o? the american public was hungry for more. what was allowowed that hadn t bebeen before?e? it was t the last dedecade whe it wasas a campfirire televisi, wherere there wawa
[marching band] [marching band] [shake it off] [marching band] [shake it off] ainsley: wonderful job. that s franklin high school s marching band. a little taylor swift this morning. y all are so talented. thank you for waking up to be with us. thanks to all at home for watching. we are live at the grand ole opry house for the patriot awards. brian: 95 years of history. this has been in a few different places. much like madison square garden in new york. it s been all over new york city. now it s the 34th. there is something that is still here from its inception 95 years ago. and it s the little circle right in front of us. steve: what they did was they cut out a 6-foot circle from the reiman auditorium, which is still standing in downtown nashville, walked by it yesterday. and there it is. that way all the performers here they grand ole opry house are able to do exactly what people have done for 95 years. and that is stand in the center. ainsley: that s
- you know what? that looks like fire! - comedy without black people would be like the nba without black players. (kevin screaming) - your biggest, biggest superstars in comedy have been black. (eddie yelling) - just genius and hilarious. - yeah, i said it. (audience cheering) - the chappelle show redefined sketch comedy. - i m rick james, bitch. (audience laughing) - in living color set up a platform for black comedians blowing up. - i don t think so. homie don t play that. (audience laughing) - arsenio hall was, woo, woo, woo, woo, woo. it was groundbreaking. - [audience] woo, woo, woo, woo, woo. - you had a black man willing to fight the power. - nice being out of jail. (audience laughing) - laughter is healing, laughter purifies the air. actually i don t like to talk about the races, because i m white. - and we, as black people, have been doing it forever. - i am, this is a freckle. (audience laughing) - all black comedians discuss race. - it s harder being gay than i