Viewkapp Kapp News Today

Osmosis’s sculptures are cobbled of fractured analogies for how materially removed we have become from the object world’s formerly resistant, concrete reality, and how the artist as scavenger of such a phenomenological ruin can imagine their version of what might be called a funky genre stability. Despite his works seeming at first to be composed of whimsical and fleeting non sequiturs, Osmosis is a profoundly considerate artist who exerts an uncanny capacity to make his ostensibly ers...

A few weeks after our first studio visit in December 2022, I received an accidental text message from Hannah Beerman containing a photograph of a handwritten note that read “I am in love with painting. I wish it could have sex with me.” A fortunate accident, as it gave me the kind of intimate glimpse into Beerman’s mind that I had not yet quite earned at that early point in our acquaintance—like winning a prize without having enrolled in the competition.