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BBCNEWS BBC News November 27, 2021 04:20:00

company was a series of vignettes featuring a dozen central characters. no two sondheim musicals were the same. i don t want to get bored writing and, you know, it s when you hit a chord that you ve hit before, or a technique of using a song that you ve done before or when i do, i get very nervous and i think i ve written that. i mustn t do that again somebody will catch me up on it, so to speak. it s as if somebody s saying, wait a minute you did that in that show! into the woods was based on fairy stories like jack and the beanstalk. sondheim s music was rhythmically complicated and harmonically sophisticated. # we ve no time to sit and dither. # while her withers wither with her. # and no one keeps a cow for a friend! # artists are bizarre. # fixed. # cold. # that s you, georges you re bizarre! one of his cleverest creations was sunday in the park with george, about the painter

BBCNEWS BBC News November 27, 2021 03:20:00

the american musical. as a young man, he learned his trade from oscar hammerstein the lyricist who wrote shows like oklahoma and the sound of music. sondheim, too, started by doing the words, notably for leonard bernstein s music in west side story. # i like to be in america! # ok by me in america! soon he was writing his own music as well. # for a small fee in america! most of the shows that followed were hits. and then, in 1970, he came up with a new idea a musical that didn t follow an obvious plot. # phone rings, door chimes. # in comes company! company was a series of vignettes featuring a dozen central characters. no two sondheim musicals were the same. i don t want to get bored writing and, you know, it s when you hit a chord that you ve hit before, or a technique of using a song that you ve done before or when i do, i get very nervous and i think i ve written that. i mustn t do that again somebody will catch me up

BBCNEWS BBC News November 27, 2021 22:27:00

a musical that didn t follow an obvious plot. company was a series of vignettes featuring a dozen central characters. no two sondheim musicals were the same. when you hit a chord that you have | hit before or you have a technique| of doing a song that you have done before, when i do it, i get very nervous and i think, i have written that, - i must not do that again. somebody will catch me up on it, so to speak, i it s as if somebody is saying, wait a minute, you did - that in that show! into the woods was based on fairy stories, like jack and the beanstalk. sondheim s music was rhythmically complicated and harmonically sophisticated. # son, we have no time to sit and dither # while her wither s wither wither. .. for his admirers, stephen sondheim produced some of the most sophisticated and thoughtful musicals ever written. # but where are the clowns? # quick, send in the clowns

BBCNEWS BBC News November 27, 2021 10:24:00

sondheim, too, started by doing the words notably for leonard bernstein s music in west side story. # i like to be in america! # ok by me in america! soon he was writing his own music as well. # for a small fee in america. most of the shows that followed were hits. and then in 1970 he came up with a new idea a musical that didn t follow an obvious plot. # phone rings, door chimes, in comes company. company was a series of vignettes featuring a dozen central characters. no two sondheim musicals were the same. i don t want to get bored writing. and you know, it s when you hit a chord that you ve hit before or a technique of using a song that you ve done before or when i do, i get very nervous. and i think i ve written that, i mustn t do that again. somebody will catch me up on it, so to speak. it s as if somebody s saying, wait a minute, you did that in that show. into the woods was based on fairy

BBCNEWS BBC News November 27, 2021 01:11:00

trade from oscar hammerstein the lyricist who wrote shows like oklahoma and the sound of music. sondheim, too, started by doing the words, notably for leonard bernstein s music in west side story. # i want to be in america! # ok by me in america! soon he was writing his own music as well. most of the shows that followed were hits. and then, in 1970, he came up with a new idea a musical that didn t follow an obvious plot. # in comes company! company was a series of vignettes featuring a dozen central characters. no two sondheim musicals were the same. i don t want to get bored writing, you know? i don t want to get bored writing and, you know, when you hit a chord that you ve hit before, or a technique you ve used before when i do, i get very nervous. and i think i ve written that. i mustn t do that again somebody will catch me up on it, so to speak.

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