Color photographs from the 1930s and 1940s. They started as an experiment with color film. Kodak was just putting its color film on the market. Sent it out to photographers at institutions to give it a try, to see if they could create a market for it. The pictures were free. So they were appealing to newspapers, magazines, publishing agencies, book publishers. That kind of thing. I was familiar already with the black and white photographs. There are about 171,000 Farm Security administration and office of war information blackandwhite photographs. And i had been working with those for a few years. There was not much emphasis placed on the color transparencies, because they were hard to handle. They were unique items. Theres only one of each. At the time, in the 1970s, it was really difficult to make a copy. It was very expensive to make a photograph. You had to make another print from the color transparency. People did not want to pay that extra money. So, these just sat on a shelf for
The library has a collection of color photographs from the 1930s and 1940s. They started as an experiment with color film. Kodak was just putting its color film on the market. Sent it out to photographers at institutions to give it a try, to see if they could create a market for it. The pictures were free. So they were appealing to newspapers, magazines, publishing agencies, book publishers. That kind of thing. I was familiar already with the black and white photographs. There are about 171,000 Farm Security administration and office of war information blackandwhite photographs. And i had been working with those for a few years. There was not much emphasis placed on the color transparencies, because they were hard to handle. They were unique items. Theres only one of each. At the time, in the 1970s, it was really difficult to make a copy. It was very expensive to make a photograph. You had to make another print from the color transparency. People did not want to pay that extra money. S
American artifacts, Beverly Brannan tells the stories about the collection and photographers. Beverly we are in the center vault of the prints and photographs division of the library of congress. The library has a collection of color photographs from the 1930s and 1940s. They started as an experiment with color film. Kodak was just putting its color film in the market. Sent it out to photographers at institutions to give it a try, to see if they could create a market for it. The pictures were free. So they were appealing to newspapers, magazines, publishing agencies, book publishers. I was familiar already with the black and white photographs. There are about 171,000 Farm Security administration and office of war information blackandwhite photographs. And i had been working with those for a few years. There was not much emphasis placed on the color transparencies, because they were hard to handle. They were unique items. Only one of each. At the time, in the 1970s, it was really diffic
Allegations of corruption, and indictments and guilty pleas swirling around city Hall Contracting the city family is plugging along with another enormous bond for this november, much of it which will go to d. P. W. The ethics budget is not an expense. Its an investment that pays dividends and in cost savings and honest government. Thank you very much. If you are joining by the webex Browser Extension, if you wish to raise your hand for this Public Comment and other Public Comments, you may do so by clicking on the raise hand icon. Its located in the participants panel on the lowerright corner. To access that panel, you can click on the navigation bar located in the video screen by clicking on the participants icon. I do not see any additional callers concerning Public Comment. Im going to close Public Comment first, i want to say in response to the Public Comment, to the first specificker who had substantive points of information concerning City Contracting i do hope that the whistlebl
Anytime that im looking at the labor request for the commission is that the commission exercises the power sparingly, and useds a balancing approach where you balance the need for the labor on the one hand with any danger of unfair advantage or undue influence on the other hand. And in cases where you find that the need for the labor outweighs the danger of impropriety, thats when the waiver is proper. Otherwise, the balance of equities is not there and the waiver is probably inappropriate. So in this particular instance, i do recommend a waiver to be granted along the lines of what was requested and what is requested is that mr. Eske be allowed as he sits on the Arts Commission to continue to engage in compensated advocacy, limited to a specific list of city commissions but not all city commissions and City Employees, but the set of commissions that he interacts with now. And to that i would add that he only be allowed to engage in compensated advocacy for clients of his architecture