[ cheers and applause ] this is the thing about the 80s. everyone t thinks it s s about y haircucuts, lots o of makeup,, insane clothes, and it was, but the thing about this music that lasts is that t their songngs werere so good.. melvoin:n: you can g go back and listenen to those e recor, from the e engineeringng to thehe musiciansnship to the writing and performance of it and it surpasses most music. brown: e everybody h had a sto, and they wanteted to tell l i. the artists that were coming through the tv and into y your lives.s. e everybody w wants toto rule the e world questlove: i ll say the music of the 80s is more effective than what came to us in the 60s simply b because allll of us were incluluded this t time. no decade was more effective in dance music and politics in d different g genres than the 80s. there will never, ever be another decade like it, ever. everybody wants to rule the world
tatayla parx: : after hahaving the c conversatiois and figuguring it alall out, and us allll being likike, ma. okok, is it woworth it to keep itit in there?e? it i is? let s go.. origiginality isis so much m e abouout taking s something t thu love, , filtering g it throrough your p perspective, filtering g it throughgh your o other influluences, blendingng everythining togeth. and i i think thatat s the thg that s someone likike olivia rodrdrigo does p pretty well. she comes s on the scecene. her r first songng is called drivever s licensnse . [olivivia rodrigo,o, drivers license e ] (singingng) red lig, stop s signs, i ststill see your facace in the w white ca, frfront yards.s. mimikael wood:d: olivia rorod, huge pop s success, obobvious. and a vevery post tataylor swswift kind o of songwritit. an avovowed swiftitie. olivia rododrigo: i mm just thehe biggest s swiftie in the w whole worldld. so i tweweet about her all l the time.. nate rogogers: this s is also the irony y of the tay
sure tayaylor swift t will be sg fofor copyrighght infringegem. peteter andersonon: we ve got two exextremes, whwhere it s identicacal copying g of this exact nunumber of rerepetitio, anand we ve gogot the plaiaints work whehere there s s no repetitition at allll. but i i think no r repetitiont all l means it s s not protete. i think k there s anan argumet with thihis number of repetitit, it i is protecteted. intervrviewer 2: t thank you. peter ananderson: ththank you,u, your hononor. maririna v. bogogorad: i thik thatat was also o a point tht inflfluenced thehe ninth cicircuit sayiying, yeyes, this cacase should d pr. [m[music playiying] julilian wright:t: the thing that s stood out t to me was me than jusust the wordrds. there e were quitete a few structuralal things ththat i w within thehe compositition thatat s in bothth songs. they re e both used d as the ho. a hohook is ththat s the c c. that s thehe part of t the sog that eveverybody rememembers. lilisa respersrs france: i n th
and used i it in theirir own chororus, i m sure tayaylor swift t will be sg fofor copyrighght infringegem. peteter andersonon: we ve got two exextremes, whwhere it s identicacal copying g of this exact nunumber of rerepetitio, anand we ve gogot the plaiaints work whehere there s s no repetitition at allll. but i i think no r repetitiont all l means it s s not protete. i think k there s anan argumet with thihis number o of repetit, it i is protecteted. intervrviewer 2: t thank you. peter ananderson: ththank you,u, your hononor. maririna v. bogogorad: i thik thatat was also o a point tht inflfluenced thehe ninth cicircuit sayiying, yeyes, this cacase should d pr. [m[music playiying] julilian wright:t: the thing that s stood out t to me was me than jusust the wordrds. there e were quitete a few structuralal things ththat i w within thehe compositition thatat s in bothth songs. they re e both used d as the ho. a hohook is ththat s the c c. that s thehe part of t the sog that eveverybody r
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