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The rise of Māori art makes Matariki a special time of year

The rise of Māori art makes Matariki a special time of year
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Te Hīkoi Toi: New arts festival showcases portraiture

Arts – Gorge on a visual feast of the sickeningly sweet – Candy Coated at The Dowse

Source: The Dowse Art Museum Lollies exploding out of faces, candy-coloured corporate dystopia and disaster-inflected dessert commercials feature in the pick ‘n mix of artworks by contemporary international and Aotearoa-based artists in ‘Candy Coated’, opening at The Dowse Art Museum on 2 April 2021.   Curated by Dr Chelsea Nichols, Senior Curator at The Dowse, the ensemble of artists hitting the sweet spot in this exhibition are Rachel Maclean (Scotland), Jon Noorlander (Sweden), Alison Nguyen (USA), Patrick Smith (Puerto Rico) and Elisa Barczak (Germany/NZ) alongside Aotearoa-based artists, Laura Duffy, Sam Duckor-Jones, Emily Crooks, and Wayne Youle (Ngāpuhi, Ngāti Whakaeke, Ngati Pākehā).

Ten years on, the earthquake still casts its shadow over Christchurch s past, present and future

When the deadly second earthquake struck Christchurch ten years ago today, among the many things toppled by natural forces were statues of the city s founding father John Robert Godley, colonial politician William Rolleston and imperial hero Robert Falcon Scott.

Ten years on, earthquake casts shadow over Christchurch s past, present and future

Ten years on, earthquake casts shadow over Christchurch s past, present and future SunSunday 21 updated MonMonday 22 FebFebruary 2021 at 1:36am On the 10th anniversary of Christchurch s deadly earthquake, how far has the city come and what challenges remain? ( Print text only Cancel When the deadly second earthquake struck Christchurch 10 years ago today, among the many things toppled by natural forces were statues of the city s founding father John Robert Godley, colonial politician William Rolleston and imperial hero Robert Falcon Scott. Far worse things happened, of course, but this break with the past came to feel powerfully symbolic. My 2016 book Christchurch Ruptures was in large part about the risks of our thinking being trapped in the past and attempting to put things back as they were. Might letting these statues go allow the city to leave behind the colonial attitudes and practices they represented?

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