Page 2 - Which Explore News Today

cultural life, the radio 4 programme, she reveals her formative influences and experiences, and how, even in high school, her creativity was clear. i put on a home economics opera. it was about fabrics. can you remember how it goes? # fabrics need a swim in the suds. # it makes them feel just like new. # plink—plink, plink—plink. laughter. i want to make sure the mics are recording us. margaret atwood, welcome to this cultural life. thank you very much. happy to be here. on this pr...

happy to be here. on this programme, i ask my guests to choose the most significant influences and experiences that have shaped their own creativity, and your first choice is your parents. yes. tell me about your parents. well, first of all, they, um, were very innovative and able to improvise, because, of course, if you live in the woods and there arent any shops, you have to be, and they were both very outdoorsy. but they also allowed us to make messes in our rooms and didnt make us ...

Influences and experiences, and how even in high school, her creativity was clear. Creativity was clear. Home economics creativity was clear. Home economics opera, creativity was clear. Home economics opera, It Creativity was clear. Home economics opera, it was i creativity was clear. Home economics opera, it was about fabrics. ,. , economics opera, it was about fabrics. ,. ,. , fabrics. Can you remember how it noes . Fabrics. Can you remember how it goes . It fabrics. Can you remember how it go...

Watching each other. in terms of your life and your influence and what youve been discussing tonight, almost at odds with some of the themes of the novels, which explore, you know, the really dark aspects of humanity and the human experience — totalitarianism, rape and murder and all of these things. what — what compels you to immerse yourself? i dont particularly immerse myself, you know, ijust read the newspapers. blame it on the bbc news. laughs ijust like to read. well, i do research the...

Of not being so relevant. so, its newly relevant because of political changes in the united states. we go everywhere in twos. supposed to be for our protection, for companionship. there are no friends here. cant be _ the truth is were watching each other. in terms of your life and your influence and what youve been discussing tonight, almost at odds with some of the themes of the novels, which explore, you know, the really dark aspects of humanity and the human experience — totalitarianism, ra...

In the united states. we go everywhere in twos. supposed to be for our protection, for companionship. there are no friends here. cant be. the truth is were watching each other. in terms of your life and your influence and what youve been discussing tonight, almost at odds with some of the themes of the novels, which explore, you know, the really dark aspects of humanity and the human experience — totalitarianism, rape and murder and all of these things. what — what compels you to immerse you...

Of not being so relevant. so, its newly relevant because of political changes in the united states. we go everywhere in twos. supposed to be for our protection, for companionship. there are no friends here. cant be. the truth is were watching each other. in terms of your life and your influence and what youve been discussing tonight, almost at odds with some of the themes of the novels, which explore, you know, the really dark aspects of humanity and the human experience — totalitarianism, rap...

To make the handmaids tale. so, he knew everything about it and talked himself into thejob. are you surprised, or maybe disturbed, at the continuing relevance 40 years after you wrote that book? well, it had periods of not being so relevant. so, its newly relevant because of political changes in the united states. we go everywhere in twos. supposed to be for our protection, for companionship. there are no friends here. cant be. the truth is were watching each other. in terms of your life and you...

We go everywhere in twos. supposed to be for our protection, for companionship. there are no friends here. cant be. the truth is were watching each other. in terms of your life and your influence and what youve been discussing tonight, almost at odds with some of the themes of the novels, which explore, you know, the really dark aspects of humanity and the human experience — totalitarianism, rape and murder and all of these things. what — what compels you to immerse yourself? i dont particul...