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April 6, 2024
The International Celebration of Blasphemy and The Sacred is a presentation by Congolese artist collective Cercle d’Art des Travailleurs de Plantation Congolaise (CATPC) for the 60th Venice Biennale.
April 6, 2024
The director’s new biopic about the troubled singer tells the story of a relationship scrutinised by the tabloids – something she knows all about. She talks about facing cancer, falling for a younger man and why she’ll always be drawn to ‘intense, deep subjects’
April 5, 2024
While earlier editions saw more global participation, South America’s biggest art fair has become a regional showcase and a more inclusive reflection of Brazilian contemporary art
April 5, 2024
Stately gallery founded in 1946 in the age of high-minded modernism finally had to succumb to a new reality
April 5, 2024
Earlier this year, disgraced art dealer Inigo Philbrick (pictured with Victoria Baker-Harber) was released from federal prison to home confinement.
April 3, 2024
One of the ambitious Ghanaian artist’s spectacular installations will soon enrobe the Barbican. He reveals his work’s political intentions
April 3, 2024
On a recent, damp morning in London, Ibrahim Mahama sat in a cafe, scrolling through photographs on his laptop of an athletics stadium in Tamale, Ghana. They show dozens of people at work in the arena, laying out enormous, magenta-coloured pieces of cloth under the blazing sun – as if designing an outfit for a giant.
April 3, 2024
Hong Kong Art Month just ended and it was the biggest it's ever been. Take a look at what went down, including a star-studded edition of Art Basel Hong Kong.
April 2, 2024
For thirty years, Darren Almond has explored the nature of time through several distinct yet mutually reinforcing streams of work.
April 2, 2024
Sculptor Richard Hunt (1935–2023), who died in December at the age of eighty-eight, is honored with a comprehensive exhibition of his early works, currently on view at White Cube. Early Masterworks homes in on the artist’s output from 1955–1969, a fruitful decade that saw the young Hunt—later to become acclaimed for his large, public sculptures—testing, experimenting, and refining the distinctive style that would become his own.