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50 years: Galeria Raquel Arnaud - e-flux Agenda

Some May Work As Symbols review – this raucous Brazilian art extravaganza can stop you in your tracks

<strong>Raven Row, London</strong><br>From cool Bauhaus-inspired pieces to portraits of people with terrifying teeth, this refreshing show of 50s-70s art revels in a sense of discord

Cecilia Brunson Projects and Galeria Millan bring Paulo Pasta s work to London and the UK for the first time

Beyond abstract expressionism: MoMA rethinks the art of the 1950s

Beyond abstract expressionism: MoMA rethinks the art of the 1950s Installation view of Degree Zero: Drawing at Midcentury, November 1, 2020–February 6, 2021 at The Museum of Modern Art, New York. Digital Image © 2020 The Museum of Modern Art, New York. Photo by Robert Gerhardt. by Roberta Smith (NYT NEWS SERVICE) .- As exhibitions go, “Degree Zero: Drawing at Midcentury” at the Museum of Modern Art is a relatively modest undertaking. After all, it is simply a show of 79 drawings from the museum’s permanent collection, a kind of potpourri, if you will. But it is also an ambitious effort — selected and installed with great care by Samantha Friedman, an associate curator of drawings and prints. You sense a fresh point of view almost as soon as you enter the gallery.

Beyond Abstract Expressionism: MoMA Rethinks the Art of the 1950s

Beyond Abstract Expressionism: MoMA Rethinks the Art of the 1950s A selection of 79 drawings from the collection recasts the most celebrated decade in American art as less American. Uche Okeke’s drawing “Design for Iron Work I” (1959) in the show “Degree Zero: Drawing at Midcentury” at the Museum of Modern Art.Credit.Uche Okeke and Skoto Gallery; Museum of Modern Art May 7, 2021 As exhibitions go, “Degree Zero: Drawing at Midcentury” at the Museum of Modern Art is a relatively modest undertaking. After all, it is simply a show of 79 drawings from the museum’s permanent collection, a kind of potpourri if you will. But it is also an ambitious effort selected and installed with great care by Samantha Friedman, an associate curator of drawings and prints. You sense a fresh point of view almost as soon as you enter the gallery.

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