A multidisciplinary survey of 200 works reveals how Ruscha's alienation from organized religion proved to be useful for his deconstruction of art myths and shibboleths.
A multidisciplinary survey of 200 works reveals how Ruscha’s alienation from organized religion proved to be useful for his deconstruction of art myths and shibboleths.
A multidisciplinary survey of 200 works reveals how Ruscha's alienation from organized religion proved to be useful for his deconstruction of art myths and shibboleths.