working class voices: Live & Latest News Updates : Vimarsana.com

that perhaps has taken you by surprise? when they looked at it, it's probablyjust because there's not that many working class voices. right. to be honest. if you weren't to have me sat here talking to you about this issue he would you have? you were a big supporter ofjeremy corbyn? maybe big is not the right word, but you supported, you were enthused byjeremy corbyn? i was, yeah and it helped meeting him. he came across as a very kind person and an empathetic person, someone who actually had feelings and understood the plight of people, of the working class especially. i mean, ifelt, yeah, it was hard for him, wasn't it? really difficult. some people would argue he made it even harder for himself. potentially, yeah. but again, humans, we don't always get everything right, do we, and sometimes you lose self—awareness when you are in such a position, ithink. could you find yourself getting enthused about keir starmer? do you know what, i will be honest, as much as i disagree with apathy, and i think it's

motives and they're not bringing their personal life into that room. whereas your silly mate barely has an education, what kind of advice... peer pressure, yeah. and also, you know, you go up to your mate and you build yourself up and you go, "mate, i'm suffering with anxiety." "anxiety, what are you?" just because they've not suffered anxiety, you can't expect everyone to be able to help you with your issues. your, i hesitate to say professionaljourney, because we always use that word journey, it's a bit of a cliche... it's been a very bumpy road. yeah, but when i first met you five years ago and you were doing that documentary, you had been doing documentary work alongside your other stuff. now you're doing more and more, aren't you, of the social campaigning stuff? there's been that, if you like, has there been a reorientation that perhaps has taken you by surprise? when they looked at it, it's probablyjust because there's not that many working class voices. right. to be honest. if you weren't to have me sat here talking to you about this,

and other times great darkness and . and other times great darkness and she managed — and other times great darkness and she managed to _ and other times great darkness and she managed to somehow - and other times great darkness and she managed to somehow bring - and other times great darkness and . she managed to somehow bring those things— she managed to somehow bring those things together — she managed to somehow bring those things together in _ she managed to somehow bring those things together in a _ she managed to somehow bring those things together in a perfect _ she managed to somehow bring those things together in a perfect alchemy. things together in a perfect alchemy of storytelling _ in 2010, kay mellor received an 0be. she was passionate about representing yorkshire and leeds in particular in her work. i worked with k as an actor in the club and in strictly confidential. i always knew if a casting for kay kid in my comfort zone because she wrote prevalent 28 brilliantly for working—class voices. 0ne prevalent 28 brilliantly for working—class voices. one of her biggest strength she was she was a ladder dropper, for other writers, other talent she would always do when she could to mentor and support. it's devastating, a massive loss for us. when fat friends debuted as a musical case that she was delighted. t debuted as a musical case that she was delighted-— was delighted. i got a drum really. it's wonderful. _ was delighted. i got a drum really. it's wonderful. it's _ was delighted. i got a drum really. it's wonderful. it's all _ was delighted. i got a drum really. it's wonderful. it's all because - it's wonderful. it's all because that's— it's wonderful. it's all because that's where i set it here in leeds. itjust— that's where i set it here in leeds. itjust fitting that that's where i set it here in leeds. it just fitting that it's actually

What Does the "Far Left" Want? What Can't It Do? - American Renaissance

correspondents on both sides of the channel — and in rwanda. also in the programme: russia's flagship vessel in the black sea is seriously damaged — ukraine claims it hit the ship with missiles. nhs leaders warn this easter could be as bad as most winters for the the health service. gallowgate offered mungo his shoulders to sit on... and the booker prize winning author who says more voices like his need to be heard. you can't possibly understand this country unless you are fairly represented with working—class voices. and coming up on the bbc news channel, the end of an era for women's cricket as england's two—time world cup winner anya shrubsole retires from the international game.

a lot of that with me, i have a lot of chips on my shoulder. and he worries writers from similar backgrounds still face too many obstacles. you can't possibly understand this country unless you are fairly represented with working class voices, because we're such a massive part of the population, and i think for any working class creative, whether that's fashion or it's literature, there is going to be so many more barriers for you and things that you're to have to overcome. 0ne barrierfor him was growing up in a house with no books, they were too expensive. i haven't seen this before. it's amazing! an even greater thrill, then, to hold his own new novel in his hands for the first time. rebecca jones, bbc news. time for a look at the weather. here's nick miller. 0verall overall this easter weekend a lot of fine weather but with east—west differences across the uk. there will be some misty mornings at times just as we've seen today and it is

..winning the booker prize in 2020 with his first novel. yet for all his success, doubts remain. i think i've always felt a little bit of an imposter my whole life. we can't ever underestimate what childhood trauma does to people and how it can undermine our confidence. and he worries writers from similar backgrounds still face too many obstacles. you can't possibly understand this country unless you're fairly represented with working—class voices, because we're such a massive part of the population. and i think for any working—class creator — whether that's fashion or it's literature — there's going to be so many more barriers for you and things that you are going to have to overcome. one barrierfor him was growing up in a house with no books. i haven't seen this before, it's amazing! an even greater thrill, then, to hold his own new novel in his hands for the first time. rebecca jones, bbc news, glasgow. that's it. now on bbc one, time for the news where you are.

and eventually started writing... shuggie bain, by douglas stuart. ..winning the booker prize in 2020 with his first novel. yet for all his success, doubts remain. i think i've always felt a little bit of an imposter my whole life. we can't ever underestimate what childhood trauma does to people and how it can undermine our confidence. and he worries writers from similar backgrounds still face too many obstacles. you can't possibly understand this country unless you're fairly represented with working—class voices, because we're such a massive part of the population. and i think for any working—class creator — whether that's fashion or it's literature — there's going to be so many more barriers for you and things that you are going to have to overcome. one barrierfor him was growing up in a house with no books. i haven't seen this before, it's amazing! an even greater thrill, then, to hold his own new novel in his hands for the first time. rebecca jones, bbc news, glasgow. that's it. now on bbc one, time for the news where you are.

it's a book that gets into really profound matters of life and death, of legacies, inheritance, of generations. it's so rich with layers, and yet it is compact. last year's winner, shuggie bain, a book about working—class life in 19805 glasgow, has now sold more than a million copies around the world. its author, douglas stuart, who was raised on benefits, says the prize has transformed his life but that other writers from similar backgrounds are not so lucky. i think it's always a challenge to hear working—class voices. i think, actually, class is one of the diversity issues that we don't talk enough about in literature, because actually it intersects with everything else, with gender, with race, and, yeah, you know, ifeel like we're very underrepresented. and damon galgut hopes his win means more african stories and voices will now be heard as well. rebecca jones, bbc news.