De Beatles a Ramones, los discos esenciales que produjo Phil Spector lanacion.com.ar - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from lanacion.com.ar Daily Mail and Mail on Sunday newspapers.
Phil Spector’s art created the world he couldn’t create for himself: a tortured, toxic and finally murderous man crafting hit after hit about idealized romance
US-Musikproduzent Phil Spector im Gefängnis gestorben | Tiroler Tageszeitung Online tt.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from tt.com Daily Mail and Mail on Sunday newspapers.
But Spector was different. At the start, on The Teddy Bears’ “To Know Him is To Love Him” a rephrasing of the epitaph from his father’s gravestone that Spector turned into a Hot 100 No. 1 in 1958 his sound was not so very far removed from the other recordings of the day, many of which carried the spacious aura of the rooms in which they were cut, investing early rock and pop with the mystical sense that new frontiers were being explored. Eventually though, he recognized how to make that aura the centerpiece of his records. You can hear how he did just that in the very first hit on Philles, The Crystals’ “There’s No Other Like My Baby” from 1962. Built like a rocket with three stages, it begins simply, with bass, guitar and voice rippling outward in stark echo before a piano part that seems borrowed from The Chantels 1958 classic “Maybe” lifts the song skyward with a burst of sound. Then chorus vocals, glockenspiel and strings continue the song’s journey tow
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