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Arkansas Arts Center becomes Arkansas Museum of Fine Arts

Arkansas Arts Center becomes Arkansas Museum of Fine Arts Daytime view from downtown Little Rock of the Arkansas Museum of Fine Arts’ new north entrance. The Cultural Living Room signals the new entrance from Crescent Drive and creates a new courtyard plaza that reveals the museum’s historic façade. © Studio Gang and SCAPE. LITTLE ROCK, AR .- Trustees and leadership of the Arkansas Arts Center today announced that this historic institution in the capital of Little Rock, currently in the midst of a $142 million transformation, will now be known as the Arkansas Museum of Fine Arts (AMFA), reaffirming its leading role in cultural life throughout the state. Redesigned as a thoroughly new experience by the MacArthur Foundation “genius award” winners Jeanne Gang of Studio Gang Architects and Kate Orff of SCAPE Landscape Architecture with an increase in space of almost 50 percent and the addition of 10 acres of new grounds, the reinvented Arkansas Museum of Fine Arts is scheduled

EYEWITNESS: The Chromatic Effects of Late Nineteenth-Century London Fog

Anna Novakov and T. Novakov like a yellow silken scarf, the thick fog hangs along the quay[1] In the 1880s, London’s frequent and well-documented episodes of fog were a phenomenon unique to England’s most densely populated, diverse, and industrialized urban center. The spectacular nature of the embankment fog, often described by eyewitnesses as changeable and even colorful, caught the imagination of many artists and writers who saw in these atmospheric manifestations a symbol of modernity and the role of industrialization on an evolving urban space. While the illusive city, shrouded in winter fog, created the perfect backdrop for mysterious, criminal activity, it also proved to be a compelling inspiration for those who read the fog as a more positive symbol of London’s cosmopolitan status. In this essay, we seek to interrelate some artistic and literary references to the fog with contemporary explanations addressing the causes of this atmospheric phenomenon. Through this inte

Openings and Closings: January 27 to February 2 - The Magazine Antiques

Openings and Closings: January 27 to February 2 Elizabeth Lanza After a year like no other, we have all become accustomed to postponed concerts and canceled events. Something that we won’t have to miss out on this year is New York’s much-loved Winter Show art and antiques fair, presented this season in a virtual format. As the show begins to wrap up this week, we’ve compiled some must-see programs you can attend this week, from the comfort of home. The Bennett Collection: Paintings of Women by Women Wednesday, January 27, 1 PM (EST) Join Texas-based collectors Steven Alan Bennett and Dr. Elaine Melotti Schmidt in a discussion of their monumental collection of figurative realist paintings by women, of women. The collection boasts work by historic artists such as Mary Cassatt and Artemisia Gentileschi and features works by some of the most exciting female painters working today. As a style of art that has fallen from grace and a collection that features exclusively female a

El Bellas Artes apuesta por Asturias

El Bellas Artes apuesta por Asturias
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Color Riot is a vibrant display of Navajo textiles at the Museum of Arts, St Petersburg

‘Color Riot’ is a vibrant display of Navajo textiles at the Museum of Arts, St. Petersburg Maggie Duffy, Tampa Bay Times © MARTHA ASENCIO RHINE/Times/Tampa Bay Times/TNS The Museum of Fine Arts new exhibition, Color Riot! How Color Changes Navajo Textiles, during a media preview on Friday, Dec. 18, 2020 in St. Petersburg. ST. PETERSBURG In these dark times, the exhibition “Color Riot: How Color Changed Navajo Textiles” at the Museum of Fine Arts, St. Petersburg, is a welcome display of color and pattern – a vibrant escape from the gloom. Organized by the Heard Museum in Phoenix, Arizona, where it debuted in 2019, the exhibition explores the color and design experimentation that came into Navajo textiles during the late 19th century.

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