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Why the Pandemic Will Actually Strengthen the Art Experience Economy—and the Old-Fashioned Gallery Business, Too

teamLab, Massless Clouds Between Sculpture and Life (2020). Installation view of Every Wall is a Door Superblue Miami, 2021. Sound: teamLab. © teamLab, courtesy Pace Gallery. A version of this story first appeared in the spring 2021 Artnet Intelligence Report, which you can download in full for free here.   The launch of Superblue could not have come at a worse time. It was August 2020, in the heat of the summer lockdown, when the company announced its formation to a largely skeptical art world. It would pursue, it said, a twin mandate: to produce show-stopping immersive artworks for mass audiences of ticket buyers at a 50,000-square-foot “experiential art center” in Miami and take on experiential commissions for private and public clients at an ever-evolving array of off-site locations around the world. Both goals would be achieved in collaboration with A-list artists bridging the increasingly hazy borders between creative disciplines.

Monet and Friends part of global trend of immersive multisensory exhibitions where the art is digital

Monet and Friends part of global trend of immersive multisensory exhibitions where the art is digital AprApril 2021 at 7:11pm Immersive digital exhibitions like Van Gogh, Starry Night are a burgeoning global trend, drawing tens of millions of visitors. ( Print text only Cancel In September 2020, four months after Sydney s museums and galleries began to re-open after the COVID-19 lockdown, a very different kind of art show landed in a very different kind of venue one better known for hosting Mardi Gras parties, the Royal Easter show and concerts: the Royal Hall of Industries. From September to December, it was host to Van Gogh Alive: a large-scale, multi-sensory experience by Melbourne-based company Grande Experiences not to be confused with the immersive experience Van Gogh: The Starry Night, which featured in Netflix s Emily In Paris, where the titular heroine skips the Louvre in favour of an art experience that s more social media-friendly.

Three Exhibitions Open at deCordova Sculpture Park and Museum in April

Three Exhibitions Open at deCordova Sculpture Park and Museum in April LINCOLN, Massachusetts Subject Line Please provide verification code Email is invalid Sonya Clark, in collaboration with The Fabric Workshop and Museum, Philadelphia. Woven replica of the Confederate Flag of Truce, 2019. Photo credit: Carlos Avendaño Monumental Cloth, The Flag We Should Know Lincoln, MA - deCordova Sculpture Park and Museum is pleased to announce three new exhibitions, on view April 10 – September 12, 2021. Large-scale, immersive works by the textile artist Sonya Clark will be on view in Sonya Clark: Heavenly Bound, which Clark developed specially for deCordova, and Sonya Clark: Monumental Cloth, The Flag We Should Know, organized by The Fabric Workshop and Museum in Philadelphia. Concurrent with both Sonya Clark presentations, the collection-based exhibition, What We Do in the Shadows, examines the dynamics of visibility and marginalization in political activism.

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